Tag Archives: Self-publishing

Just Clicked Paperback “Publish”!

Three Strides Out soon to be available in paperback!

The Amazon sages have to deliver final judgment, but the proof looked fine, so I’m assuming I’ll pass muster.

I’ll post some pyrotechnics once the paperback is live.

In the meantime, if anyone reading this is thinking of paying a “packager” even a few hundred dollars to “publish” a book, whether an ebook or a paperback: THINK HARD before committing your cash. Yes, it takes a bit of time and some hassle to format your own books. But you don’t have to pay for this!

Of course, if you can write three new books in your best-selling series in the time you spend making formatting decisions and wrestling with templates, then the arithmetic comes out different. But like everything else, as you repeat a process it becomes easier and goes faster. In any case, don’t hire a packager because you think you can’t do it without one. You can.

Publishing success is like a sunny day

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Paperback PDF and Cover for Three Strides Out Uploaded!

It took longer than it should—no surprise there. I kept getting an error message in my ISBN block. I asked for an Amazon callback and got an immediate response. Turns out that the “imprint” I was supposed to enter meant my name as publisher, although what it said was to enter where you bought your ISBN, which was Bowker. Danielle, my Amazon helper, was incredibly patient, waited with me until both the pdf and the cover were successfully uploaded.

This will teach me to wait so long between books. If it hadn’t been so long since I uploaded my paperback files for King of the Roses, I might remember more of the process.

I reviewed page-by-page in the Previewer, but have ordered a proof copy. When I get a look at it, I will announce

silhouettes of runners breaking free of barriers

an OFFICIAL LAUNCH DAY!

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I fought Draft2Digital and won!

In keeping with my plan to post on my experiences as I publish and learn to market a new book (after too long!), I’m sharing my recent experiences with the kind of basic stuff I’m sure most folks don’t need to be told about. But maybe somebody out there will understand the learning curves involved and will either find my struggles familiar or will point me in the right direction as I take many wrong turns.

SEO for writers

I realized at long last that if I was going to start a newsletter, which I am assured I must do, I needed to be able to upload digital files, that is, epubs and mobis as well as the standard pdfs. A little bit of exploration suggested to me that a basic Draft2Digital account would allow me to convert my Word files into these formats.

Yes, I found I could download files from Smashwords, but when I did so, they opened in an iBooks folder that did not allow me to upload the latest version. Moreover, I wanted the Amazon files as well as the Smashwords files. Creating and downloading the D2D files to a dedicated folder, where I could verify the dates and versions, seemed like a good idea.

(Here’s where I suspect experts know how to move files to my desktop from the iBooks program that opens them.)

Books as stairs to publishing success

As I began work on uploading my Word text to D2D, I confirmed what I had already begun to expect from working on my paperback interior for my new book: templates promise easy formatting—IF you can stop them from wrestling you to the mat and beating all hope out of you!

Okay, hyperbole. But what I discovered was that the only way to make a D2D template work on the first or hopefully at least the second try is to strip all that fancy formatting you did in hopes of making your book look as if it has been traditionally published rather than a homemade little orphan.

Following the instructions exactly is a start. I had set up my TOC using bookmarks and anchors, but unfortunately, I hadn’t bookmarked the chapter titles (Chapter 1, etc.) but rather first words of chapters. D2D read my first paragraphs as chapter titles and converted them all to Heading 1 font. Grim.

I learned about this mistake by emailing for help. The great news is that the help came almost immediately in a detailed and sympathetic response email. Rather than rebookmark and reanchor 44 chapters plus an epilogue, I converted all chapter titles to Heading 1 as suggested. However, my work at customizing the Heading 1 style—for example, to all-caps—was wasted. The D2D template made the font decisions for me, in the process introducing formatting errors in the TOC that took me six uploads to correct.

Equally maddening was that D2D can’t recognize such frivolity as “small caps.” Formatting first lines in first-chapter paragraphs in small caps created leading changes in those first paragraphs. Only plain old Normal with a first-line indent led to a clean upload.

I had already discovered that the little graphics I had tried to insert in an earlier version had to be positioned just so to function the way I envisioned. After two full days of struggling with my new upload, I gave up on the images I had wanted to insert at the beginning of each chapter. By that time, all I wanted was the plain-Jane file. My end-of-book graphics linking to my other books, I am glad to say, did load correctly and do work as I planned.

Moral: when using a template, join it in battle at your peril. In D2D, stay simple. They have their own folderols you can choose if you like.

At least uploading to Bookfunnel was comparatively easy. (Gripes on that front to come.)

Want the free copy of Three Strides Out I’ve complained so mightily over? Here’s the Bookfunnel link. You’ll have to leave me an email address so I can see where the free books I’m hoping to use for reviews are going, but you don’t have to sign up for anything—assuming I correctly figured out all the ins and outs of my Bookfunnel landing page. If you run into trouble downloading, write me from my website and I’ll try to figure out how to get a copy to you. Oh, and puhleeeese leave a review!

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Filed under book design for creative writers, business of writing, ebooks publishing and selling, Free Books, indie publishing, Marketing books, Self-publishing, Tech tips for writers, V. S. Anderson, Virginia S. Anderson

So-True Post: Some Hard Facts about Publishing

Soooo many books! Why write one more?
Soooo many books out there

Over at Writers in the Storm, guest blogger Tasha Seegmiller writes not to offer a “downer,” but instead, to help people align their expectations of writing a little better.”

This column reminded me how I’m constantly surprised by some of the questions aspiring writers ask on self-help Facebook sites. Yesterday, is grammar important? Today, should an author get a web site? This column offers some advice I think everyone hoping to publish needs.

Me included. Realizing that writing is a business—never a comfortable home territory for me—but also that it really has to be something you just can’t help doing: These are the reminders I need.

A while back, in answer to a post on the pros and cons of self- versus traditional publishing, I wrote “What It Was Like for Me,” an account of my own experiences being traditionally published. Even though my encounter with the realities of publishing happened quite a long time ago, I still found that Seegmiller’s take resonated. It was ever so, and I didn’t know enough then to negotiate this strange and daunting space.

Follow good blogs and wonderful people like @JaneFriedman. As Seegmiller says, educate yourself. So you’ll be more ready than I was.

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BELIEVE! Do Not Pay Someone to Publish Your Book! ALLI Agrees.

Your book ready to publish--dreamscape!

Dreams of publication? Yes!

Here’s support from ALLI, the Alliance of Independent Authors, for my claim that you SHOULD NEVER PAY SOMEONE TO PUBLISH YOUR BOOK. Yes, there are some reputable book packagers out there who will charge you for various services, but the chances that you will make back what they charge you are slim. YOU CAN DO THIS YOURSELF. This ALLI article explains why it is so easy to fall for vanity scams. Here’s an important quote:

Many vanity presses will try to persuade authors that they are incapable of producing a professional book without an expensive full-service publishing package. This is particularly effective on authors who may not be comfortable with new technology; the idea of handing off the details of publishing to someone who will take care of it for you is alluring.

Do not be fooled. You can start your book off with a very modest investment if you apply very basic skills to get it formatted and posted. Spend your money on a cover and an ISBN, not on thousands of dollars for “publication” you’ll never get back.

Maybe you’ll notice that I’m very passionate about this. I just hate scams.I swear I'll catch up my SEO!

 

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Earn a Salary by Writing Novels? Not So Fast.

Books as stairs to publishing successVictoria Strauss of Writer Beware assesses a start-up, “De Montfort Literature,” that promises to hire writers for $24,000 a year plus royalties just to write novels. Strauss and John Doppler from the Alliance of Independent Authors find that there’s a lot less to DML than meets the eye. If you’ve encountered this kind of proposition and it intrigues you, READ THIS CAREFULLY.

For my own part, I take exception to De Montfort’s claim in an interview with The Guardian that in contrast to his arrangement, “self-publishing is costly and time-consuming.” Not so. Anybody with the time and self-discipline to write a novel will find plenty of excellent how-tos that make it possible to publish online in a matter of an hour or so. My book, You CAN Format Your Print-on-Demand Book! is just one of many that make publishing your own paperback the work of just a few days.

Authors have never had so many options and so much freedom. Don’t sell yourself short!

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Avoid Rookie Mistakes When You Format Your POD Book!

Joel Friedlander tells us about the formatting mistakes that make your book look like you made it in your garage. You CAN Format Your POD Book: The Beginner’s Cheat Sheet for Formatting with Adobe Indesignshows you how to fix these mistakes. Check it out!

You CAN Format Your Print-on-Demand Book!

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Small Publishers – A Checklist #wwwblogs #amwriting

What would you add to this thoughtful post from Alison Williams Writing? Have your experiences with small publishers been good or bad? Are indie writers better off self-publishing? What do you think?

Alison Williams Writing

checklist

I recently wrote a bit of a rant about the quality control of some small presses whose books I had read. You can read it here.

If you are thinking of signing with a small publisher, then do bear a few things in mind.

  • Do your homework – start off by Googling the publisher. You might find threads on writing sites that go into a great deal of detail about your chosen publisher. Read them – they can be incredibly enlightening.
  • Ask questions – if your publisher is honest and genuinely wants the best for you, they should accept that you have a right to want to know about them. After all, you are placing your book and all the blood, sweat and tears that went into writing it in their hands.

Ask:

  • Who are they?
  • How long have they been publishing?
  • What exactly is their background and experience?…

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Maybe You Don’t Need that Book on Writing After All . . .

Editing tips for writers. . . If you have a computer and can check out Editing 101 at Chris the Story Reading Ape’s blog. Susan Uttendorfsky of Adirondack Editing provides a host of FREE lessons on everything from “Removing Filter Words” (a must-read) to when to use “which” or “that.” I’ve found Susan’s posts to be accurate, clear, and friendly. Check them out!

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Filed under correct grammar for writers of fiction, ebooks publishing and selling, Editing your novel, grammar rules for writers, indie publishing, Learning to write, Myths and Truths for writers, Plot Development for writers, self editing for fiction writers, Self-publishing, style for writers, Writing, writing novels

Need Your Own ISBN? It’s Easy.

Of course, the first question is, do you need your own ISBN?

The long and short of it is—YES, YOU DO.

Here’s a site that provides a quick and dirty explanation of why indie authors should own their own ISBNs instead of letting Amazon or Book Baby or any of the other packagers give you one for “free.” As the site will make clear, there are hidden costs to this perk.

So if you’re convinced, as I was, how do you get an ISBN?

It’s really not hard at all.

In the United States, ISBNs are sold through a company called Bowker. At http://www.bowker.com, you’ll find a link for “Authors.” On this page, you’ll be invited to click on various links promising help with your project, but for now, you’re interested in the link called “ISBN United States.”‘

Bowker

Next, you’ll click on a link to “Get Started: Order ISBN.”

Bowker Order ISBN page

On the next page, you’ll be able to scout the various plans and set up your “MyIdentifiers” account.

Bowker buy ISBN now page

At present, Bowker sells a single ISBN for $125, ten for $295 (they were on sale for $250 the day I wrote this), or 100 for $595. What should you do?

This is another personal choice. Experts online vary in their recommendations, but all seem to agree that most authors will need more than one ISBN. For example, if you buy just one at $125, use it for your ebook in the Kindle Store, then choose to create a POD edition needing its own ISBN, you’ve already spent $250—because each edition of your book requires its own ISBN. Most indie authors publish more than one book. Many publish more than ten books! How many books you expect to write will probably dictate the choice you make.

Note that the page offering you the ISBN options also offers you a chance to purchase a bar code. This code will eventually go on the cover of your POD book, providing the ISBN and the price you set for your book.

You can delay the bar-code purchase until you are actually ready to produce your cover. When you buy your ISBN(s) and create your Bowker MyIdentifiers account, you will find a link allowing you to purchase the appropriate bar code for that ISBN.

Bowker Manage ISBNs page

When you buy a bar code, your MyIdentifiers screen at Bowker will allow you to set the price that will appear on the bar code.

I chose to set this price to zero. Why? Because if you later want to change the price for any reason, you must produce a new cover with a new bar code. Uploading this new cover will cost you $25.

However, if your bar code reads “zero,” you can price the book any way you want, and other sellers can attach their bar codes over yours or charge whatever they want.

You will still set a retail price at Ingram for individual purchasers. Bookstores who might order your books to sell on their shelves get their discounts based on this price. At Ingram, you can edit both the price and discount over time if you like.

Bowker seems set up to accommodate even the most uneducated users. Like all technology, it requires you to follow a set of steps, but in the long run, negotiating these steps will give you the control you want over your work!

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