Category Archives: Writing and Learning

Is It Worth Your Time to Pitch Your Book?

Book in dramatic sunset landscapeOver at Indies Unlimited not too long ago, I ran across this comment from multi-award-winning author @MJBowersock:

[A]nyone who has not already been published, who is not a name that people recognize and that will draw sales, will not win a publishing contract with a traditional publisher. It’s like winning the lottery. It could happen, but the chances are, it won’t.

That’s not quite the kiss of death to our dreams of one day breaking into the publishing big time (the big houses call themselves “legacy” publishers now, Bowersock says). But it’s close.

Books as stairs to publishing success

So my question is, what about all those conferences that bring in rafts of agents and editors who claim to be starving for new talent (like you and me)? Are they scamming us? Do they consider a day at a conference listening to pitches some sort of paid vacation?

If Bowersock is right, I guess so. And our chances of coming away from a conference with real hopes for a contract are nil. Conferences aren’t cheap. Pitching is scary. Why go through such an ordeal?

Here’s one answer: because there are benefits from pitching to actual editors and agents that you can’t get any other way.

I’m not suggesting that any writer invest thousands of dollars in conferences. But I am arguing that a judicious choice of conference at the right moment in your process can be worth at least as much as what you’re paying for that cover or that expert to format your text—

—Because pitching gives you several kinds of feedback you won’t get from any other source.

Publishing success is like a sunny day

You know what you get from query letters: “Sorry, we’re not the right agency for this book.”

What about your writing group? I consider writing groups essential. But the members of your writing group read as friends and colleagues. They don’t read as business people, charged with making money out of your book.

And therein lies all the difference. They hope to make money off of you!

I’m not plugging for any conference, but I’ve been to quite a few, and I’m sharing my experience. I’ve learned things from pitch sessions that no one else ever told me. I’ll do it again.

If you do decide to pitch, be sure to make your investment count:

  • Be ready. Don’t rush to a pitch session with an unspellchecked draft while you’re still trying to figure out whether your main character’s hair is black or red. Exhaust your writing groups and beta readers first.
  • Review the faculty to make sure you can pitch to people who work with your genre. Make sure they work for good agencies and aren’t just somebody’s Facebook friend.
  • Get one-on-one critiques as well as pitches. If at all possible, pay extra to have the right person at the conference read a query letter or a first page and meet with you so you can ask follow-up questions. Pay for “pitch practice” if you possibly can.

Your words fall into your book!

Here are the kinds of questions you can get answered even if there’s scant hope of a contract. They’re the questions you would pay an editor to answer, and Lord knows good editors aren’t cheap.

Do I know what my book is about?

You can muse all day with your writers’ group about your story question, your main character’s goals, why she can’t achieve them, how her journey ends, and so on.

In a pitch session, you have five minutes to lay it out. Five minutes with a steely eyed editor daring you to make him buy it. Get tongue-tied with that agent smiling ever-so-sweetly at you?

Then you haven’t figured it out.

Seeing that stare glaze over or that smile turn to a frown tells you that it’s time to take a good look at your structure so next time you’ll know what your book is about.

What’s derailing my book?

When was the last time you got a response from a query that said, “Sorry, here’s why we don’t want your book.” [Interject sound of strangled laughter from author]

In contrast, you’re three minutes into your pitch, and Steely Eyes says, “I don’t understand why anyone would do that.” Sweet Smile says, “That sounds like a really unpleasant character.” They both say, “I’m lost.” (Often followed by a specific hint as to where and how the road signs got turned around.)

Yeah, I know, if they’d just read the darn book, they’d get it. But the fact is, you’ve just recited part of the back cover blurb that will make readers buy the darn book, and now you know a few things that can turn readers off.

And you have specific issues beyond just-not-good-enough to consider before your next submission: motivation, characterization, style.

Is my idea the high-concept, totally original, million-dollar gem I think it is?

Agents and editors see hundreds of ideas in your genre. You may well be asked, “How is this different from all the other books I’ve seen recently about crazed werewolves in New Jersey?” That five minutes will tell you whether you know the answer to that.

How does my work stack up with someone who is not my friend?

Really, it all comes down to this one: An agent or editor at a conference does not need to make you feel good.

They don’t need you to be in the mood to give them friendly, constructive advice at the next writing group meeting. They don’t need to keep you happy so you’ll hire them again the next time you need an editor.

They’ll give you your five minutes, but after that, they’ve got twenty other people lined up, one of whom might have THE BOOK they came to the conference to acquire.

So the instant they know your pitch isn’t clicking, they won’t string you along.

Pitching at a conference isn’t the way to learn how to make your structure work or how to make your concept a stand-out. But it’s one sure method of finding out fast how close you are to those goals. The day the frown is accompanied by a business card and a willingness to take a look, you’ll know you’ve finally managed to answer the questions that will sell your book.

Book publishing success

Do you have advice for making the most of pitch sessions? Share!

 

 

 

 

 

 

 

 

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Filed under business of writing, Editing, Finding agents, indie publishing, Learning to write, looking for editors, Money!, Myths and Truths, novels, Publishing, Self-publishing, Writers' conferences, Writers' groups, Writing, Writing and Learning

Writing a Synopsis? Jane Friedman to the Rescue

Is there ever a time when Jane Friedman’s writing advice is not worth reading? Just today, checking out her newsletter, I’ve discovered more wonderful posts than I can feasibly share.

Torn up draftsI decided to link to this Jane Friedman piece on writing synopses because recently members of one of my writing groups have been plagued by their struggles with that demon of demons. Oh, how we all hate that one task!

But listening to the synopsis drafts, I found myself wondering if the writers had searched the lovely Internet for the many helpful examples, guidelines, and templates that excellent writers have shared. The first thing you learn when you do is “Do not try to create a blow-by-blow of every single thing that happens in your book!” Yet over and over, that’s what drafts of synopses seem to do.

Getting from the blow-by-blow to the contained, focused, emotionally revealing creature (in one page, no less) that agents and editors say they want is HARD. I’m not for one second denigrating the incredible effort it takes. But I’m sharing these resources just on the outside chance that some readers haven’t encountered them. Friedman lists no fewer than six sites that prove both instructive and inspirational, including one that critiques more than 100 drafts.

I’m not at the synopsis stage right now, but I will be again soon, and I will mine every one of these sources. I hope they prove helpful to you.

Do you have a favorite tip site for writing synopses? Share!

 

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Filed under business of writing, Finding agents, looking for editors, novels, Writers' groups, Writing, Writing and Learning

Terrific Piece on Working with Critique Groups!

So many books!

This is one of the most thoughtful pieces I’ve read about the critique group process, from guest blogger Kathryn Craft posting at Writers in the Storm. It rings true for me on so many levels.

Are you in a critique group? Is Kathryn speaking to/for you?

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Filed under Editing, novels, Plot Development, self editing, Writers' groups, Writing, Writing and Learning

The Benefits of Joining a Writers Group

As a member of a long-running face-to-face group and now an active online group, I can attest to the truth of what Cynthia Hilston says below: that good groups exist. I spent far too many years writing in isolation; never again. Maybe I don’t like every response; maybe sometimes I’m disheartened. But I’d rather be disheartened now when I can figure out what to do about the problem than when I get that “we’re not the right agency for this project” form letter with NO feedback as to why.

I’ve posted about my group several times (for example, see “In Praise of My Writing Group“), and I did a series on the founding of our group, the Green River Writers, and its leader, Mary (Ernie) O’Dell, here in Louisville.

And I just posted the 2017 Contest brochure for this year’s Green River Writers contest! A terrific contest with low entries fees and lots of cash prizes! Check it out!

A Writer's Path

by Cynthia Hilston

There it was for probably the hundredth time on the sign outside my local library: writers group, meeting 8/18 2-4:00 PM.  Okay, maybe not the hundredth time, but how many times did I drive past the library, which is about two point five miles from my house, and see that group advertised and not do a darn thing?  The sign was one of those LED types that showed all the happenings at the library, from book discussion groups to story times for children.  And my library had a writers group.

Of course, every time I saw that sign, I wondered, What do they do at those meetings?  Do they just sit there and write?  Do writing exercises?  Or do they read each other’s work while there and comment on it?

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Filed under Contests, Green River Writers, Learning to write, What Not To Do in Writing Novels, Writers' groups, Writing, Writing and Learning

Stupid Advice about Writing? Check This Out!

Figuring out if you're a writer: A drive into the dark!

Dodging the glare of negative advice!

Louie Cronin writes for Writer Unboxed: an inspirational tale for all of us who’ve wondered if we’re kidding ourselves about being writers. I especially love her list of things she recommends we deliberately ignore! Enjoy!

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Filed under Inspiration, Myths and Truths, novels, Writing, Writing and Learning

Rewriting: An Overview of the Process

Absolutely one of the best dicussions of story structure I’ve read. Resonates on so many levels for me! I just wrote to a writing group colleague that a story that’s working tells me what it’s about, and I think that sentiment jibes with this discussion. Let me know what you think!

MDellert-dot-Com

“It is perfectly okay to write garbage—as long as you edit brilliantly.”

— C. J. Cherryh

cj-cherryh

The goal of the rewrite is simple, but not easy. You want your story to live. To accomplish this, it’s helpful to have a basic confidence in the arc of your heroine’s journey before getting more specific with character, dialogue, and the refinement of prose. You’re seeking to create a story that amuses and entertains, but also captures some complexity and truth about the human experience.

This is a daunting task because—be honest—there’s a bit of inflexibility in your relationship with your first draft. On the one hand, you fear that if it’s not told as precisely as you imagined it, it won’t work. On the other hand, it feels somewhat unsatisfying as written.

So the biggest challenge in the rewriting is being able to make a thousand little painful paper-cut changes while avoiding…

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Filed under Editing, Learning to write, Myths and Truths, novels, Plot Development, self editing, Writing, Writing and Learning

What Happens In Your Brain When You Write?

This interesting infographic reinforces several things writing teachers know about writing. Writing is a powerful “mode of learning,” to borrow from 1970s writing researcher Janet Emig, because it does so many of the things shown here. One thing it does really well is to SLOW YOU DOWN so information has time to work its way into your synapses and new ideas to bubble up.

And as this infographic shows, writing involves your body and your senses, not just isolated parts of your brain.

And writing pushes you to be more precise in diction and sentence construction, since you can’t just toss a few disjointed words out but must connect them logically to each other.

So when you want to learn or remember something, write about it!

Archer's Aim

Amazing Facts on Writing and How it Affects Our Brain [Infographic] - An Infographic from BestInfographics.co

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