Category Archives: Print on Demand for fiction writers

My experiences, plus advice from experts on how to publish your paperback

GetCovers: Will Use Again

A Facebook acquaintence suggested I try GetCovers in my quest to see how a new cover affects sales of my two earlier horse mysteries, King of the Roses and Blood Lies. The price was astonishing, to say the least: $35 for the ebook and paperback package. Certainly worth a try!

GetCovers is part of the “Miblgroup family of brands,” which, my author friend wrote on FB, has a somewhat pricier line of covers, but one that is still highly affordable (starting at $100). It would be interesting to know how the services differ: for example, whether the extra expense gives you access to a different group of designers, perhaps with more experience. Anyone know?

I can report that the experience was positive. A major plus: they were fast. I received my first drafts within a week, and subsequent revisions arrived within a few days. The final cover for King of the Roses (below) was okay, well worth a try to see if it earns more clicks in my ad campaigns. After an off-base first submission (the persona of the woman was too cruel and scheming), I supplied the image of the woman; this is the same image as the one on the prior King of the Roses cover, though that designer did some tweaking to soften the woman’s stare a little.

The only indication I had that the designer was just possibly inexperienced occurred in the back-cover text. In the first paperback submission, the first short paragraph contained multiple hyphenations. I indicated that I’d rather not have hyphenations in this short text and suggested centering the blurb to remove them. In the next submission, the text had been centered, removing hyphenation from the top paragraph—but introducing it into the second! I suggested using strategic returns as necessary to force the breaks to appear between words rather than inside them. I believe the final version used spacing to achieve the necessary result.

Because the process was so quick, these corrections took only a single weekend.

In any case, I will go back to GetCovers for an experimental revision to my Blood Lies cover. At such a reasonable price, I can afford to give it a try.

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Filed under Amazon Kindle Direct Publishing, business of writing, ebooks publishing and selling, indie publishing, King of the Roses, Money issues for writers, Paperback indie publishing, Print on Demand for fiction writers, Publishing, Self-publishing, writing novels

Want a “Real” Book? Finally, Here It Is!

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March 24, 2023 · 12:43 pm

Just Clicked Paperback “Publish”!

Three Strides Out soon to be available in paperback!

The Amazon sages have to deliver final judgment, but the proof looked fine, so I’m assuming I’ll pass muster.

I’ll post some pyrotechnics once the paperback is live.

In the meantime, if anyone reading this is thinking of paying a “packager” even a few hundred dollars to “publish” a book, whether an ebook or a paperback: THINK HARD before committing your cash. Yes, it takes a bit of time and some hassle to format your own books. But you don’t have to pay for this!

Of course, if you can write three new books in your best-selling series in the time you spend making formatting decisions and wrestling with templates, then the arithmetic comes out different. But like everything else, as you repeat a process it becomes easier and goes faster. In any case, don’t hire a packager because you think you can’t do it without one. You can.

Publishing success is like a sunny day

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Filed under Amazon Kindle Direct Publishing, book design for creative writers, business of writing, ebooks publishing and selling, indie publishing, Money issues for writers, Paperback indie publishing, Print on Demand for fiction writers, Publishing, Self-publishing

Paperback PDF and Cover for Three Strides Out Uploaded!

It took longer than it should—no surprise there. I kept getting an error message in my ISBN block. I asked for an Amazon callback and got an immediate response. Turns out that the “imprint” I was supposed to enter meant my name as publisher, although what it said was to enter where you bought your ISBN, which was Bowker. Danielle, my Amazon helper, was incredibly patient, waited with me until both the pdf and the cover were successfully uploaded.

This will teach me to wait so long between books. If it hadn’t been so long since I uploaded my paperback files for King of the Roses, I might remember more of the process.

I reviewed page-by-page in the Previewer, but have ordered a proof copy. When I get a look at it, I will announce

silhouettes of runners breaking free of barriers

an OFFICIAL LAUNCH DAY!

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Filed under Amazon Kindle Direct Publishing, business of writing, indie publishing, King of the Roses, Marketing books, Paperback indie publishing, Print on Demand for fiction writers, Publishing, Self-publishing

Bad Publishing Contracts?

Big word "book" in "letterpress."
Make sure you own your rights!

Here’s an entry in a useful series from The Passive Voice, in this case that “out-of-print” clause that can prevent authors from ever recovering their rights to their own work. The discussion is complicated, but worth storing somewhere when the day arrives that you have this problem. I was able to get my rights back easily, but then, my books had been out of print for a fairly long time. Search this blog for “reversion of rights,” and you’ll find links to several related discussions of the kind of language any contract should contain.

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Amazon Is NOT Your Publisher

I’ve also found that members of one of my writing groups struggle with this distinction between publishers, packagers, and distributors from Sarah Bolme. There’s also some great information about Amazon’s imprints. Enjoy!

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Using “The Bookalyser” to Help You Edit Your Manuscript

A digital eye on your text

A digital eye on your text

I’ve reblogged Louise Harnby’s “10 Ways to Proofread Your Own Writing” from Chris the Story Reading Ape’s blog. Harnby’s post is full of free tools for catching slips in your final copy. I decided to try out one of them, “The Bookalyser” on the completed ms. of my as-yet-unpublished Surfing the Bones, a 98,000-word mystery.

STB had gone through an extensive edit, not least because an online critique process had left it much richer emotionally but far too long. Even though I’m currently responding to a beta read by updating some of the technology driving the plot and making minor setting changes, I considered the draft a good example of my own editing process. So I was curious to see what an editing app could tell me. What did I miss?

I have an advantage because I’m a grammar nerd capable of catching non-standard verb forms and recognizing passive-voice constructions. I can also form plural possessives, an apparently challenging task.Green smiley with a quizzical smile So standard “grammar-checkers” don’t help me much; they usually just object to my deliberate sentence fragments or my decision to start a sentence with “But.” I wanted to see if The Bookalyser offered more.

Like many programs for writers, the BA has a free version and two levels of paid versions. I used the free one. The site says out front that the tool won’t help you with style and usage questions; Word, it says, can do that. Instead, this tool provides a numerical/statistical portrait of certain features of your ms.

As advertised, if you register with email and password, it will run through your full manuscript in seconds and provide a full printout of its findings.

Rather than describe the “more than 70 different tests (and growing) across 17 report areas,” I’ll discuss what I found most useful.

I learned that

  • I use the word “maybe” 166 times, which is 10 times more than usual for fiction. Worth a search to see if I can cut some of those. Still, 166 times in 98,000 words isn’t cause for panic, I am relieved to say.
  • Less than 1% of my text consists of the dreaded “-ly” adjectives, and only two appeared more often than expected. The app did call “belly” an “-ly” adverb, but I guess that can be forgiven in such a complex app.
  • “Filler words” like “actually,” “fairly,” “just,” and “really” made up 0.59% of my text, as compared to 0.65% for fiction in general. Still, worth doing a search to see whether these are needed.
  • I used “said” as a dialogue tag 207 times and some other tag 41 times, with only 7 of these tags used more than once. I report proudly that I used a dialogue tag with an “-ly” adverb only 8 (!!!) times in my 98,000-word text.
  • The app did look for “passive” constructions, which it defined broadly, with “is dead,” “was afraid,” and “be afraid” alongside true PV forms like “was followed” or “been killed.” In other words, predicate adjectives counted in this category. Even so, the app said that only 2.5% of my sentences fell into its “passive” categories. Hooray.
  • The app compared phrases that I had hyphenated with instances of the same phrase that I did not hyphenate. I’m pretty good on hyphens, but this choice is well worth a search.
  • It also encouraged me to look at spelling inconsistencies like “check out” vs. “checkout” and “web site” vs. “website.” Quick checks should allow me to decide on a preferred form.

Suggestions for eliminating possible redundancies were less helpful. I looked at a number of these and will look at them all, but found that the shorter version often sounded less natural, especially in dialogue. These are judgment calls often resulting in a savings of one word. While in my aggressive edit to eliminate 7000 words, every word did count, the trade-off (hmmm, hyphen?) was problematic. Example: “He didn’t admit to a crime” vs. “He didn’t admit a crime.” I’ll stick with the former. That said, the program did catch “more perfect”—but this one was in dialogue. Big green smiley

Oh, and it said it didn’t find any “Clichéd similes/comparisons.” ♥♥♥

I didn’t find useful information under “Commonly confused words and phrases,” but many writers will probably appreciate this section. The app captures proper names and variances in capitalization as well. It listed word counts of various kinds, like most frequently used, most frequently used word trios, and most frequently used to open sentences. In my first-person text, “I” opened 1329 sentences compared to “He” (645) and “The” (435). Probably not a problem, but maybe worth a look.

In short, this is a FREE, rapid-acting tool that does provide interesting insights into my writing habits, offering me the chance to save a copy editor some work one day—and to produce a better-edited text should I publish this book myself. I recommend.

 

 

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Filed under Editing your novel, indie publishing, Print on Demand for fiction writers, self editing for fiction writers, Self-publishing, Tech tips for writers, writing novels

FREE Download: What You WILL Miss When You Edit!

Tricks for finding those pesky little slips your eyes skip when you read.An image for What You WILL Miss When You Proofread; clickable link to the download

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FREE Download! What You WILL Miss When You Proofread!

It’s a plain truth that our eyes skip over typos when we’re proofreading our own work. Words you left out or accidentally cut (or accidentally failed to cut) may be the hardest mistakes to catch. But the good news is that you CAN catch another type of invisible errors: punctuation and spacing glitches that detract from the professional manuscript you want to market under your name.

In this pdf, What You WILL Miss When You Proofread, I’ve combined three blog posts to show you some simple tricks using an old friend, Find/Replace, to search for and fix common typos from double periods to missing quotes. You won’t need any elaborate codes; all the commands you need are right there in the FIND box.

My fixes are based on Word, but you should be able to adapt them to any word-processing program you use.

Download!

An image for What You WILL Miss When You Proofread

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Filed under Amazon Kindle Direct Publishing, book design for creative writers, Editing your novel, indie publishing, Print on Demand for fiction writers, punctuation for writers of novels, self editing for fiction writers, Self-publishing, Tech tips for writers

10 Totally Free Microsoft Word Alternatives For Writers – by Derek Haines…

For years, I’ve used a 2008 version of Word that came with the computer before this one. I’ve successfully uploaded to Smashwords, Ingram, and Amazon using that ancient system. At the same time, my curiosity is whetted. Have you tried any of these programs? Do they work better than Word, and if so, how?

Chris The Story Reading Ape's Blog

on Just Publishing Advice:

Do you really need all those Microsoft Office programs just to write?

Writers write words. Are you a writer?

I’m sure you don’t prepare business plans with charts and graphs. You don’t use online collaboration tools. You don’t schedule meetings for a group of directors.

I doubt if you would ever need to create business presentations with 100 slides.

You write your words down for blog posts, content articles, guest posts, short stories and maybe poems. So why do you pay for MS Office to do these simple writing tasks?

There is no need to pay for a word processor

Continue reading HERE

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