More good help from Louise Harnby, via Chris the Story Reading Ape. This piece on point of view contains some excellent, clear examples if POV gives you fits.
No names shall be mentioned, but I’ve been seeing an awful lot of “head-hopping” in works by some well-regarded authors; I’ve learned not to gripe when it’s clear writers have built up faithful followings for whom what bugs me doesn’t even register.
Still. It DOES bug me. The minute your reader stops to scratch their head, you’ve lost them, even if for only a moment.
So I say, be purists about point of view!
Category Archives: Learning to write
This piece accords with my experience. I haven’t used the “pro” versions of editing software, so maybe they would work better than the free versions, but I’ve found that the suggestions are wrong as often as they are right. Here’s a quote from the article that I agree with:
“A person with no knowledge of grammar will not benefit from relying on Grammarly or any other editing program for advice. There is no way to bypass learning the craft of writing.”
Do you agree? If not, why not?
I rely on my knowledge of grammar and what I intend to convey more than I do editing programs, which are not as useful as we wish they were.
You may have found that your word processing program has spellcheck and some minor editing assists. Spellcheck is notorious for both helping and hindering you.
Spellcheck doesn’t understand context, so if a word is misused but spelled correctly, it may not alert you to an obvious error.
- There, their, they’re.
- To, too, two.
- Its, it’s
Grammarly is an editing program I use for checking my own work, in tandem with Pro Writing Aid. I pay a monthly fee for the professional versions of these two programs. Each one has strengths and weaknesses.
View original post 916 more words
Here’s another excellent post from Writers in the Storm, this one by guest blogger @LoriAnnFreeland. Freeland shows both graphically and verbally how to apply “Show, Don’t Tell” in our writing–she calls these “The Three Most Misunderstood Words in a Writer’s Vocabulary.” One good tip: watch out for “emotion words.” They often mean you’re not using “showing” to best advantage. (Been there!)
Here’s some great help with a difficult concept:
Thanks to Lisa Hall-Wilson at Writers in the Storm.
I’m posting this list of writers’ lists of “rules for writing” just for fun. If we read one list a day, we’d be done in 41 days, and who knows what we’d know then that we don’t know now.
On the other hand, maybe we should just start with #42:
42. Phillip Pullman’s One Rule for Writing
“My main rule is to say no to things like this, which tempt me away from my proper work.”
I like this discussion from Roz Morris (via Chris the Story Reading Ape) at Nail Your Novel. I’m struggling with revisions to endings and this post gives me some useful questions to ask.
Exposition! Eeek! In my case, not so much a sign that I didn’t “explain” earlier as that I worry that I didn’t explain clearly or explicitly enough. I’m converting an expository section to a scene between two of the characters left standing. Not sure yet if it’s working, but it’s better than what I had.
So make use of Roz’s advice if it pertains to you!
It’s hard to see the flaws in our own work, and the ending is especially a problem. We know ourselves how it’s supposed to pack its punch, or we hope we do, but will the reader?
Here’s a handy test.
You’ve seen arrests in movies. And you know, don’t you, that a person may harm their defence if they don’t mention any evidence they later rely on in court.
This is like story endings.
A good ending
First of all, what’s a good ending? It has a feeling of ‘rightness’, even if it has surprises, leaves questions or unresolved issues. It must be fair (to the reader, not necessarily to the characters). It mustn’t look arbitrary.
When an ending fails, it’s usually because it wasn’t sufficiently set up.
It fails the arrest test.
Which is this:
It may harm your story’s effectiveness if you fail to mention any evidence (about events…
View original post 830 more words