I’ve read articles like this before; this one is clear and useful to remind us all why it’s important to keep doing what we love. As is so often the case these days, it’s an indirect plug for self-publishing. I hope you find it helpful.
Here’s a very helpful post from that wizard, Jane Friedman, via Chris the Story Reading Ape (also a wizard). I am not a wizard, but to this comprehensive description of the ways you can publish, I must add this: If you really want to publish, don’t go on Facebook or Twitter and ask, “Can someone tell me how to publish a book?” Your respondents would have to spend the rest of their afternoon telling you what’s available on sites like Friedman’s—she’s an excellent portal. Check through my posts for links to many, many other terrific sites for directions and advice.
My point is, if you really want the answer, it’s out there. Do your research! You can jumpstart your process by following Chris and Jane.
Since 2013, I have been regularly updating this informational chart about the key book publishing paths. It is available as a PDF download (from Jane’s original blog post)—ideal for photocopying and distributing for workshops and classrooms—plus the full text is also below.
One of the biggest questions I hear from authors today: Should I traditionally publish or self-publish?
This is an increasingly complicated question to answer because:
Via today’s New York Times, there’s an extremely strange phishing epidemic that affects both established, big-name authors and newbies alike—basically anybody involved in a querying and/or publication cycle. Someone is impersonating editors and agents, requesting drafts of manuscripts in progress toward publication, then “disappearing” the manuscripts. No one thus far has an adequate theory as to what happens to the drafts that have been stolen. They’re not being published online; there’ve been no ransom demands, no threatening follow-ups. The perpetrator seems to be someone with extensive expertise and contacts in publishing.
Since I’m not querying at the moment, I’m out of the loop that might be affected by this weird business, but it looks as if those of you who are should be extra vigilant. Confirm with your agents and editors that the requests for your latest draft are legitimate. Inspect email addresses carefully. A tactic appears to be substituting “rn” for “m” in some names.
The article will fill you in with more detail. Let us know if you’ve experienced a version of this.
I’ve been AWOL recently because I’ve been busy writing! I’m trying to slide Book 3 of my mystery trilogy into a channel where it will start floating right along (I suspect you get that metaphor), and I’ve been keyboarding the longhand draft of my “Horse Show Book” (great titles, huh?) that I just completed last week. My hope is that the closing scenes of this psychological suspense/mystery will work as well when I type them as they seemed when I (literally) penned them. We’ll see.
Apropos of that milestone, I had the following conversation with a non-writer friend the other day. I wonder if only writers will “get” this:
Friend: When are you going to publish your Horse Show Book?
This column reminded me how I’m constantly surprised by some of the questions aspiring writers ask on self-help Facebook sites. Yesterday, is grammar important? Today, should an author get a web site? This column offers some advice I think everyone hoping to publish needs.
Me included. Realizing that writing is a business—never a comfortable home territory for me—but also that it really has to be something you just can’t help doing: These are the reminders I need.
There are a few folks I consider treasures for the #writingcommunity. If you’re not familiar with Jane Friedman, take the time to learn about her. (And make sure you subscribe to Chris the Story Reading Ape, a terrific curator of posts we all can use.)
Over the weekend, you might have seen a writing-and-money topic trending on Twitter, #PublishingPaidMe, where authors started publicly sharing their advances. Such transparency is long overdue and—in this particular case—is meant to reveal stark differences between what Black and non-Black authors get paid.
Amidst these tweets, I saw a repeated call to action for Black authors: Before you agree to a deal, ask your publisher about their marketing and promotion plans for your book. Ask how they plan to support you.
Ask, ask, ask. (Because their support falls short of where it needs to be, and publishers have to be pushed.)
To assist with that call to action, I’ve collected and expanded information from my past books and articles to help authors ask questions of their potential or existing publisher. I’ve tried to also include indicators that will help you notice and challenge unhelpful answers. If you have an…
I’ve also found that members of one of my writing groups struggle with this distinction between publishers, packagers, and distributors from Sarah Bolme. There’s also some great information about Amazon’s imprints. Enjoy!
Have you ever noticed that some books seem to be in lots of Amazon categories, and not just the two KDP allows you to choose when you publish your book?
Did you know you can add your book to more categories simply by contacting KDP support? You can have it in up to 10 categories, making it much more likely people will come across it when they search their Amazon site.
But why would I want my book in more categories?
Put simply, the more categories your book shows up in, the more people will see your book on Amazon.
Your book will show up in every step of the category pathway, for example, if one category path for your book is:
Kindle Store > Kindle eBooks>Science Fiction and Fantasy>Fantasy>Action & Adventure
your book will show up in each of the categories mentioned. Ideally, you want your book to…
The query letter has one purpose, and one purpose only: to seduce the agent or editor into reading or requesting your work. The query letter is so much of a sales piece that it’s quite possible to write one without having written a word of the manuscript. All it requires is a firm grasp of your story premise.
For some writers, the query will represent a completely different way of thinking about their book—because it means thinking about one’s work as a product to be sold. It helps to have some distance from your work to see its salable qualities.
This post focuses on query letters for novels, although the same advice applies to memoirists, because both novelists and memoirists are selling a story.