Are you considering traditional book publishing? Do you have a contract in hand but haven’t signed yet? Did you work with an editor? Then beware.
Victoria Strauss at Writer Beware has another warning for you—and for those of you considering self-publishing your out-of-print books.
Check out the contract language from these publishers claiming that, once your book manuscript has been edited for publication, you can’t claim that version as yours anymore. Not even if you’ve gotten your rights back. Some of these seem to say you can’t republish.
Thanks for about the thousandth time to Victoria Strauss and Writer Beware for keeping abreast of these publishing-contract traps.
Share if you’ve had a publisher (or an editor) claim that once your manuscript has been edited, it’s no longer your book!
Filed under Amazon Kindle Direct Publishing, business of writing, Copyright for writers, Editing your novel, indie publishing, Publishing, publishing contracts, reversion of rights clauses, Self-publishing, small presses, Working with literary editors, writing novels
Need to know what to watch out for when you publish your book?
Writer Beware shines light where it’s most needed!
If you’re canvassing book publishers and publishing packages, you should always check out Victoria Strauss at Writer Beware. She’s onto every wrinkle and scam in the publishing business, whether you’re self-publishing or submitting to agents and editors. Here’s a super list of her best tips and warnings about the book-publishing business from her 2018 blog.
Thanks to Chris the Story Reading Ape for making this terrific Jane Friedman article available! I’m closing in on the decision as to whether to self-publish or go the traditional route with a small press, so this article is a godsend!
Chris The Story Reading Ape's Blog
In my annual chart,The Key Book Publishing Paths, there is one column that is most vexing and problematic for writers to navigate: small publishers.
Into this category falls some of the most prestigious publishers you can imagine, that can boast of New York Times bestsellers, and that writers dream of working with.
But it also includes publishers that started up last year out of someone’s home office, run by people who may not know anything more about the publishing industry than you do.
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Filed under business of writing, ebooks publishing and selling, indie publishing, Money issues for writers, Myths and Truths for writers, Print on Demand for fiction writers, Publishing, publishing contracts, reversion of rights clauses, small presses, Writing, writing novels
What would you add to this thoughtful post from Alison Williams Writing? Have your experiences with small publishers been good or bad? Are indie writers better off self-publishing? What do you think?
Alison Williams Writing
I recently wrote a bit of a rant about the quality control of some small presses whose books I had read. You can read it here.
If you are thinking of signing with a small publisher, then do bear a few things in mind.
- Do your homework – start off by Googling the publisher. You might find threads on writing sites that go into a great deal of detail about your chosen publisher. Read them – they can be incredibly enlightening.
- Ask questions – if your publisher is honest and genuinely wants the best for you, they should accept that you have a right to want to know about them. After all, you are placing your book and all the blood, sweat and tears that went into writing it in their hands.
- Who are they?
- How long have they been publishing?
- What exactly is their background and experience?…
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Filed under business of writing, ebooks publishing and selling, Editing your novel, indie publishing, looking for literary editors and publishers, Marketing books, Money issues for writers, Myths and Truths for writers, Publishing, publishing contracts, Self-publishing, small presses, Working with literary editors, Writing, writing novels, writing scams
Some good warnings to take to heart!
I have a couple of things to add. Unless the market has changed drastically, having a good agent and getting an advance is unlikely to guarantee your book visibility or even entry into mainstream bookstores. I was paid $5000 by St. Martin’s in 1983; even though King of the Roses got superb reviews (check them out in the Amazon preview), the book never made it into any of the many stores, local or national, that existed at the time (before Amazon). I was told St. Martin’s would have had to commit to a massive advertising budget before any of the stores would find spine-out space for my book, let alone any kind of display or prominent position. (This despite the fact that my mother wrote many angry letters to bookstores demanding that they put my book on a stand in the doorway!) St. Martin’s did minimal advertising, but did make sure reviewers got copies and paid attention to them, which is a big deal, and something that will be hard for us to do for ourselves.
It’s my understanding (possibly erroneous?) that publishers’ budgets are even tighter today than they were in 1983. So true traditional publishing by one of the major houses doesn’t mean authors don’t still have work to do to get their books out there. But articles like this help us avoid pitfalls that will make our efforts go for naught!
The Bard & Books
Like many of my posts, this stems from something I saw in an online writer’s group. Essentially, someone who has been traditionally published from a small press was putting down people who self-publish. Personally, I have my own problems with self-publishing that I discuss in my “Why I’ll Never Self-Publish” post, but that is besides the point. At this point, I’d like to formally begin my rant against small presses.
In my opinion, traditional publishing is best done through an agent and then with a professionally recognized publisher. Small presses, unless they are recongized by writing organizations like Codex or SFWA, often give little more than what someone can do through self-publishing but will suck away 40-60% of the author’s share of royalties and then use self-publishing tools (like Createspace) to produce the book. Small Presses get away with this by telling authors lies in order to get them to sign…
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Filed under business of writing, indie publishing, King of the Roses, Marketing books, Money issues for writers, Myths and Truths for writers, Publishing, publishing contracts, Self-publishing, small presses, V. S. Anderson, Writing, writing novels, writing scams