Category Archives: ebooks publishing and selling

GetCovers: Will Use Again

A Facebook acquaintence suggested I try GetCovers in my quest to see how a new cover affects sales of my two earlier horse mysteries, King of the Roses and Blood Lies. The price was astonishing, to say the least: $35 for the ebook and paperback package. Certainly worth a try!

GetCovers is part of the “Miblgroup family of brands,” which, my author friend wrote on FB, has a somewhat pricier line of covers, but one that is still highly affordable (starting at $100). It would be interesting to know how the services differ: for example, whether the extra expense gives you access to a different group of designers, perhaps with more experience. Anyone know?

I can report that the experience was positive. A major plus: they were fast. I received my first drafts within a week, and subsequent revisions arrived within a few days. The final cover for King of the Roses (below) was okay, well worth a try to see if it earns more clicks in my ad campaigns. After an off-base first submission (the persona of the woman was too cruel and scheming), I supplied the image of the woman; this is the same image as the one on the prior King of the Roses cover, though that designer did some tweaking to soften the woman’s stare a little.

The only indication I had that the designer was just possibly inexperienced occurred in the back-cover text. In the first paperback submission, the first short paragraph contained multiple hyphenations. I indicated that I’d rather not have hyphenations in this short text and suggested centering the blurb to remove them. In the next submission, the text had been centered, removing hyphenation from the top paragraph—but introducing it into the second! I suggested using strategic returns as necessary to force the breaks to appear between words rather than inside them. I believe the final version used spacing to achieve the necessary result.

Because the process was so quick, these corrections took only a single weekend.

In any case, I will go back to GetCovers for an experimental revision to my Blood Lies cover. At such a reasonable price, I can afford to give it a try.

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Just Clicked Paperback “Publish”!

Three Strides Out soon to be available in paperback!

The Amazon sages have to deliver final judgment, but the proof looked fine, so I’m assuming I’ll pass muster.

I’ll post some pyrotechnics once the paperback is live.

In the meantime, if anyone reading this is thinking of paying a “packager” even a few hundred dollars to “publish” a book, whether an ebook or a paperback: THINK HARD before committing your cash. Yes, it takes a bit of time and some hassle to format your own books. But you don’t have to pay for this!

Of course, if you can write three new books in your best-selling series in the time you spend making formatting decisions and wrestling with templates, then the arithmetic comes out different. But like everything else, as you repeat a process it becomes easier and goes faster. In any case, don’t hire a packager because you think you can’t do it without one. You can.

Publishing success is like a sunny day

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Filed under Amazon Kindle Direct Publishing, book design for creative writers, business of writing, ebooks publishing and selling, indie publishing, Money issues for writers, Paperback indie publishing, Print on Demand for fiction writers, Publishing, Self-publishing

I fought Draft2Digital and won!

In keeping with my plan to post on my experiences as I publish and learn to market a new book (after too long!), I’m sharing my recent experiences with the kind of basic stuff I’m sure most folks don’t need to be told about. But maybe somebody out there will understand the learning curves involved and will either find my struggles familiar or will point me in the right direction as I take many wrong turns.

SEO for writers

I realized at long last that if I was going to start a newsletter, which I am assured I must do, I needed to be able to upload digital files, that is, epubs and mobis as well as the standard pdfs. A little bit of exploration suggested to me that a basic Draft2Digital account would allow me to convert my Word files into these formats.

Yes, I found I could download files from Smashwords, but when I did so, they opened in an iBooks folder that did not allow me to upload the latest version. Moreover, I wanted the Amazon files as well as the Smashwords files. Creating and downloading the D2D files to a dedicated folder, where I could verify the dates and versions, seemed like a good idea.

(Here’s where I suspect experts know how to move files to my desktop from the iBooks program that opens them.)

Books as stairs to publishing success

As I began work on uploading my Word text to D2D, I confirmed what I had already begun to expect from working on my paperback interior for my new book: templates promise easy formatting—IF you can stop them from wrestling you to the mat and beating all hope out of you!

Okay, hyperbole. But what I discovered was that the only way to make a D2D template work on the first or hopefully at least the second try is to strip all that fancy formatting you did in hopes of making your book look as if it has been traditionally published rather than a homemade little orphan.

Following the instructions exactly is a start. I had set up my TOC using bookmarks and anchors, but unfortunately, I hadn’t bookmarked the chapter titles (Chapter 1, etc.) but rather first words of chapters. D2D read my first paragraphs as chapter titles and converted them all to Heading 1 font. Grim.

I learned about this mistake by emailing for help. The great news is that the help came almost immediately in a detailed and sympathetic response email. Rather than rebookmark and reanchor 44 chapters plus an epilogue, I converted all chapter titles to Heading 1 as suggested. However, my work at customizing the Heading 1 style—for example, to all-caps—was wasted. The D2D template made the font decisions for me, in the process introducing formatting errors in the TOC that took me six uploads to correct.

Equally maddening was that D2D can’t recognize such frivolity as “small caps.” Formatting first lines in first-chapter paragraphs in small caps created leading changes in those first paragraphs. Only plain old Normal with a first-line indent led to a clean upload.

I had already discovered that the little graphics I had tried to insert in an earlier version had to be positioned just so to function the way I envisioned. After two full days of struggling with my new upload, I gave up on the images I had wanted to insert at the beginning of each chapter. By that time, all I wanted was the plain-Jane file. My end-of-book graphics linking to my other books, I am glad to say, did load correctly and do work as I planned.

Moral: when using a template, join it in battle at your peril. In D2D, stay simple. They have their own folderols you can choose if you like.

At least uploading to Bookfunnel was comparatively easy. (Gripes on that front to come.)

Want the free copy of Three Strides Out I’ve complained so mightily over? Here’s the Bookfunnel link. You’ll have to leave me an email address so I can see where the free books I’m hoping to use for reviews are going, but you don’t have to sign up for anything—assuming I correctly figured out all the ins and outs of my Bookfunnel landing page. If you run into trouble downloading, write me from my website and I’ll try to figure out how to get a copy to you. Oh, and puhleeeese leave a review!

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Filed under book design for creative writers, business of writing, ebooks publishing and selling, Free Books, indie publishing, Marketing books, Self-publishing, Tech tips for writers, V. S. Anderson, Virginia S. Anderson

The Key Book Publishing Paths: 2021–2022 – by Jane Friedman…

Here’s a very helpful post from that wizard, Jane Friedman, via Chris the Story Reading Ape (also a wizard). I am not a wizard, but to this comprehensive description of the ways you can publish, I must add this: If you really want to publish, don’t go on Facebook or Twitter and ask, “Can someone tell me how to publish a book?” Your respondents would have to spend the rest of their afternoon telling you what’s available on sites like Friedman’s—she’s an excellent portal. Check through my posts for links to many, many other terrific sites for directions and advice.

My point is, if you really want the answer, it’s out there. Do your research! You can jumpstart your process by following Chris and Jane.

Chris The Story Reading Ape's Blog

Since 2013, I have been regularly updating this informational chart about the key book publishing paths. It is available as a PDF download (from Jane’s original blog post)—ideal for photocopying and distributing for workshops and classrooms—plus the full text is also below.

One of the biggest questions I hear from authors today: Should I traditionally publish or self-publish?

This is an increasingly complicated question to answer because:

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Latest on Internet Archive/Copyright Infringement

With so much going on, don’t lose sight of what’s happening to your books. Not everyone agrees that having free books going out *freely* is bad for writers, but you at least need to be able to choose. Victoria Strauss again reports on the Internet Archive and its copyright infringement via its “Emergency Library”—now being challenged in court by major publishers. Her post on Writer Beware lists a number of past posts and resources. Check it out.

A digital eye on your text

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Amazon Is NOT Your Publisher

I’ve also found that members of one of my writing groups struggle with this distinction between publishers, packagers, and distributors from Sarah Bolme. There’s also some great information about Amazon’s imprints. Enjoy!

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How Should We Think about Book Piracy in the Age of COVID? Wendig’s Take.

Here’s Chuck Wendig’s take on the decision by Internet Archive (as he points out, already on the hook for stealing and distributing copyrighted work) to provide books for free even if they are, indeed, copyrighted because people need books more than ever now. Wendig’s piece provides not only his take, elaborating on a comment that aired in a show on NPR, but also links to a response from the IA, so you can decide what you think. There is also at least one comment that takes a different stance.

Pirate ship coming for your books

I first became aware of IA’s activities through Victoria Strauss’s indispensable Writer Beware. I tracked down one of my books on IA and sent a takedown notice; supposedly they honored my request. I shared my experience on this blog (link below), then subscribed briefly to a service that promised to find all such theft of my work.

Let me tell you, that was a waste of time. The app found instance after instance. In every single case I tried to track, it was impossible to file a takedown notice. There would be no contact information, no claim of ownership, no one to protest to. Possibly, with stronger computer skills and oodles of time, I could have found the culprits. Some of these sites had takedown-notice forms, but when I sent them, they returned error messages. Long story short, I gave up.

However, one notable outcome was an exchange with a poet who is print-disabled (in his case because of vision issues), who told me about the Marrakesh Treaty, which allows “allows authorized non-profit sites to post—without permission—works for “blind and print-disabled” persons.” This was new information for me, as I suspect it will be for others.

This link will take you to the one of the later posts in my sequence about Internet Archive and book piracy, back in early 2018; there’s a link in the post to the Marrakesh Treaty, and you can read the comments from my reader. All the posts are filed under “Copyright for Writers” and can be accessed by searching for “Internet Archive.”

In any case, I also found myself consoled by an argument from Neil Gaiman that book pirates are really just helping you find readers for your work. If that claim raises eyebrows, well, maybe it should. Or not. The post contains links to several back-and-forths on whether we should be up in arms or opening our arms.

This is a fraught issue in this time of the cholera, as Wendig’s discussion shows. I probably will adhere to my non-action process for now.

If only those freebie readers would leave reviews. . . .

 

 

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How to add categories to your book on Amazon

Big word "book" in "letterpress."

Wow! I’ve been waiting for this information for ages. Join me in trying it, and let me know how it works for you!

deborahjay

Have you ever noticed that some books seem to be in lots of Amazon categories, and not just the two KDP allows you to choose when you publish your book?

Did you know you can add your book to more categories simply by contacting KDP support? You can have it in up to 10 categories, making it much more likely people will come across it when they search their Amazon site.

But why would I want my book in more categories?

Put simply, the more categories your book shows up in, the more people will see your book on Amazon.

Your book will show up in every step of the category pathway, for example, if one category path for your book is:

Kindle Store > Kindle eBooks>Science Fiction and Fantasy>Fantasy>Action & Adventure

your book will show up in each of the categories mentioned. Ideally, you want your book to…

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How to Query–and More

My last writers’ group meeting included a long discussion about the book market triggered by an article from Vox that one of my colleagues had brought in. The discussion branched off into familiar territory for aspiring authors: how to get published.

Books leading to a door in a brick wall

I often feel like a Grinch when I respond to these discussions and questions by saying, “Go online. Google ‘How to.’ There are many wonderful people out there providing solid advice and authoritative, expert guidelines.” Yes, there are also scammers, but if you follow the admonition not to pay anyone anything until you have investigated a wide range of options—and to take the same basic precautions you’d take buying any product—you won’t fall into any serious traps.

My point is often that a thirty-minute conversation can’t cover nearly enough ground to do more than point a new author in the right direction. In these groups, I recommend specific sources for follow up, such as Jane Friedman or Victoria Strauss or, for formatting issues as well as other self-publishing help, The Book Designer. For those convinced that formatting their own e-book is an overwhelming challenge, I recommend Smashwords and Mark Coker’s free e-book formating guide, as well as his list of formatters and cover designers.

book with butterflies taking flight from its pages

Sites like these include links to dozens of helpful articles. Obviously, there are many others; these are just the ones that pop into my head on short notice, because they’re stellar.

Today, my feed included a post from yet another site just brimming with the kind of information the people in my group were craving: Anne R. Allen’s Blog . . . with Ruth Harris. So I’m linking here with advice to anyone starting out on this journey: Once you’ve read Anne R. Allen’s clear, direct instructions on how to write a professional query, browse the site. Click on the links. Subscribe.

I found sources like these the way I suspect anyone builds a personal knowledge base, by clicking on intriguing articles and subscribing to bloggers whose advice seemed relevant to my goals. Compilers like Chris the Story Reading Ape have also given me lots of trails to follow.

Comment and turn all of us on to your favorites. To whom do you go for expert advice on the many aspects of publishing, both traditional and indie? I am always up for learning more!

question mark adorned with flowers

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How I’ve Come to Love Book Pirates

Well, maybe that title is just click-bait. Hope it gets some clicks! Big green smiley

More accurately, my title should read, Why I’ve Quit Worrying about Book Pirates.

Books flying into pirates' hands

Here are a few links you can check out if you’ve heard horror stories (I sort of have some), and/or if you’re interested in this debate:

My quick take—and my reasons for copping out on the anti-book-piracy crusade: Like some of the responders on Kaye’s post, I tried the beta Blasty service. I found myself on sites where I didn’t have the technical knowledge to identify the site owners (Kaye offers some tools to help with this). No address to which to send my own DMCA (Digital Millennium Copyright Act) takedown notice. Some offered their own DMCA form—but every one I completed returned an error notice.

And after I’d spent a whole morning uselessly following Blasty’s leads, I got yet another massive list of all the places where my books could be downloaded for free.

Blasty offered paid services that would send the notices for me. There are other such services; comments on the various articles I’ve linked to above provide some sources, if you want to pursue this route.

But if you read the Guest piece, you may, like me, come away with a sense of “what for?”

“The legal and tech aspects of book piracy prevention are complex and fast-evolving, but those in the know describe it very simply: it’s whack-a-mole. One of the most persistent ebook pirate sites has been taken down multiple times, only to pop back up again under a .com, a .net and a .org domain name. At least 120,000 take-down notices have been issued against it already, involving web crawlers, lawyers, its domain host and the Metropolitan police. But that website is back regardless, complete with some intimidating legal language of its own, addressed to anyone who plans to complain.”

I have read, in more than one place, that many of the “free” sites don’t even have copies of the books they’re selling; they just want people’s credit card info. A lot easier way of taking people’s money than actually scanning books and repackaging them, I suspect.

Who knows? If the big publishers are really losing a lot of money to piracy, maybe they will finally figure out a way to protect their property. And maybe some enterprising soul will pirate their methods and share them with us (in a user-friendly form). Maybe even Amazon will catch on and act. In the meantime, I have other wasteful uses of my time that are a lot more fun than hunting down all those links and filling out a new version of that form ten times a day.

I’m thinking, in fact, about making more of my work (I really do have WsIP!) available for free. The truism Kroese and others offer makes sense to me:

The biggest challenge facing a new author isn’t piracy; it’s obscurity.

So from one so-far obscure writer to others, I’ve quit worrying about people stealing my books. When you read one you like, just be sure to tell your friends.

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Filed under business of writing, Copyright for writers, ebooks publishing and selling, Free Books, Marketing books, Money issues for writers, Myths and Truths for writers