As usual, The Book Designer provides important information for those of us learning to market our books. Here, Amy Collins, book distributor and marketer, clears up those pesky Amazon rules on book reviews. I haven’t seen this information laid out more clearly than this.
Category Archives: Reviews
Maybe I should say, every female writer. The book I’m recommending is about women, yes. But was it written for women only? I’ll hold to the faith that my literary male friends might find some familiar sentiments in this story—timeless to my mind—of a woman struggling to balance romance and intellectual rigor with a successful writing career.
As a young woman scribbling away on various unworthy projects, I loved Dorothy Sayers’s whimsical accounts of the escapades of her patrician hero, Lord Peter Wimsey. At a time when the puzzle mysteries of Agatha Christie seemed to be the fashion, I much preferred the slower, character-driven, comedies of manners in Sayers’s accounts of aristocratic England between the wars.
Of course this world was completely exotic to me. A quintessential baby-boomer, I knew no English lords and thus tended to take her depiction as truth. I also knew little about Europe at that time, and skimmed over the occasional reference to world events, most of which were used more or less to demonstrate that Wimsey was not just a chatty dilettante but a behind-the-scenes actor on the veiled world stage. Social commentary in Sayers’s books gently speared the kinds of people who, forty years earlier, would have been the inhabitants of Downton Abbey.
Recently, though, looking for some relatively mindless pleasure while I recovered from surgery, I retrieved some old favorites for bedtime reading. I had always remembered Sayers’s earlier novel, The Nine Tailors, as haunting and original; I was surprised at how slowly it read on new acquaintance, how it relied on stereotypes (I’m now guessing) of inhabitants of the fen country. But I’d also remembered Gaudy Night as more lively—comic, actually—and decided to revisit it as well.
It is indeed lively, comic, sometimes even brutal in its depictions of British social types of the era. But it is more than social comedy. It is about an intelligent independent woman trying to decide whether such a woman can achieve love and marriage on her own terms, especially to a personality as overwhelming as Wimsey’s. It is about a woman exploring what it means to be an intellectual when combining “intellectual” and “woman” in the same breath was both oxymoronic and somehow unclean.
But above all—and hence this invitation to my colleagues—it is about writing. Harriet Vane, the protagonist, grapples not just with how to bring characters to life in the latest of her best-selling mystery novels, but also with writing as a vocation. As a way of touching the heavens, mentally and emotionally. In Gaudy Night, she writes both as a novelist and as a scholar, parsing the definitions of excellence in writing, of finding one’s voice in a fine, close piece of work that requires, and reflects, one’s best self. Watching these three themes—romance, intellectual rigor, and writing—converge is one of the pleasures of this book.
Harriet appears as foil to Wimsey in four of the Lord Peter novels; Gaudy Night is the third. The novel takes place in a fantasy world: Shrewsbury College, a woman’s college in Oxford at a time when there was no such thing! Female administrators, scholars, and students pursue deep, arcane questions just as their male counterparts did and do. But this devotion to academic excellence sets them up for attack from a world that is not ready for them.
Harriet returns to Shrewsbury for a “Gaudy,” which is sort of a homecoming/class reunion, and, seeking surcease from the emotional conflicts created by Lord Peter’s determination to marry her, finds herself drawn into the narrow-focused but fine-tuned academic life—and into a terrifying mystery as well. A “Poison Pen” berates, threatens, and ultimately injures the scholars as punishment for not recognizing a woman’s proper place in the world.
Yes, Harriet must partner with Lord Peter to solve the puzzle. But I suggest looking for a subtle comparison with the relationship we may, all of us, be so lucky as to experience with a superb editor whose fierce intelligence we combine with our own skills to produce something whole and deserving. And again, there’s that lovely convergence of themes: solving a difficult puzzle with high stakes, finding a way to love without surrendering oneself, and turning it all into a work of art.
These are themes that resonate for me. I don’t know a Lord Peter, so I don’t share that precise challenge. But here’s a Harriet I do know, returned to Shrewsbury to escape the publishing circus, and perhaps you know this person, too. This is from Chapter XI:
. . . In that melodious silence, something came back to her that had lain dumb and dead ever since the old innocent undergraduate days. The singing voice, stifled long ago by the pressure of the struggle for existence, and throttled into dumbness by that queer, unhappy contact with physical passion, began to stammer a few uncertain notes. Great golden phrases, rising from nothing and leading to nothing, swam up out of her dreaming mind like the huge, sluggish carp in the cool waters of Mercury. One day she climbed up Shotover and sat looking over the spires of the city, deep-down, fathom-drowned, striking from the round bowl of the river-basin, improbably remote and lovely as the towers of Tirnan-Og beneath the green sea-rollers. She held on her knee the looseleaf notebook that contained her notes upon the Shrewsbury scandal; but her heart was not in that sordid inquiry. A detached pentameter, echoing out of nowhere, was beating in her ears—seven marching feet—a pentameter and half:—
To that still center where the spinning world
Sleeps on its axis—
Had she made it or remembered it? It sounded familiar, but in her heart she knew certainly that it was her own, and seemed familiar only because it was inevitable and right.
To all our moments like this.
Some useful information about those pesky Amazon Review rules from Build Book Buzz. Share your own methods for getting reviews.
Joel Friedlander at The Book Designer is always a wonderful source. This piece by Judith Briles (@mybookshepher) on “How to Avoid Book Publishing Blunders, Bloopers and Boo-Boos” has some up-front advice for all of us. I especially like the “writer beware” section on “pitch fests.” Briles says save your money!
Closed for business: Two big things that could penalize your Amazon author account (and how to prevent them)
Here’s help negotiating Amazon’s review process! So much mystery!
Make no mistake. If you have heard me speak before almost anywhere or read anything I have to say about writing, I emphasize one thing above all else:
“You can be as artsy as you want to be while you are writing your book, but once it is finished, it is a product. A product you must distribute and market in order for it to sell.”
There’s another part to this reality of writing as a business: the number one distributor of ebooks remains Amazon, and for most authors about 80% of their sales would disappear, should the online giant refuse to sell their work. Discoverability on Amazon is the number one trick authors, publishers, and book marketers are trying to crack. Of course, if it works on Amazon, the same method will likely increase sales on iBooks and Nook as well, provided an author even offers their books for…
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Do you review books? Can you add to this good advice? What makes you decide to write a review—or makes you decide not to? I find that I’m least likely to review something I’m reading if I’m unsure whether I’m reacting to the book itself or to conventions of a genre that I just don’t understand or care for. What about you?
Hello my lovely bookworms! I spend a lot of time talking about what to do in order to GET books to review, but today I wanted to switch gears a little and address authors that want to get their BOOKS reviewed. Some may not know this, but there is actually etiquette that goes into asking a reviewer to read your book. Reviewers are not obligated to read your book, and they certainly aren’t required to like your book, so here are a couple of pieces of advice for the author who is looking to get their book reviewed.
Take into consideration what the reviewer likes to read.
Many reviewers, but not all, have a section on their blog that tells authors, publishers, and other people what their interests are regarding the genre of books they like to read. I do not have a specific list of genres that I will…
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I highly recommend alfageeek’s candid, nuts-and-bolts reports on the marketing process. See, for example, his series on Twitter ads. Now here’s one on Bookbub, which is way out of my league at present. but which might be useful to you.
And may I echo his exhortation: If you’ve read either of my books, PUH-LEEZE post even a few lines of a review.
I decided to take a shot at doing a promo with BookBub. Over the past few years, they have become the most effective marketing platform for e-books. Their reputation is that they reject almost all submissions, and they never tell you why they rejected you. But if you manage to get accepted, then you will sell a lot of books. They regularly update a chart that shows exactly how many books people in various categories and price points sell. That’s useful, because if they accept you, the listing is very expensive.
I signed up to their email list to be notified about Erotic Romance novels, since that’s the best category for my novels. (Even though I can’t say that on Amazon.) I was pleased to see that the books being promoted were not out of my league. Of the 24 Erotic Romance books they have listed right now, there…
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