Category Archives: punctuation for writers of novels

Hyphen, Em Dash, En Dash (revisited) #amwritng

Following up on an earlier post on hyphens from Connie J. Jasperson, here’s a handy discussion of the different uses of dashes and hyphens.

I’d like to add that, if you’re writing on a Mac, you can create an em dash by typing Space/Option/Hyphen. My new wireless keyboard, a Microsoft product, allows for most Mac keystrokes, but not that one, and I miss it.

There are other key combinations that can produce an en dash, but I seldom use this symbol so I don’t know them. Oh, and there are all kinds of symbols and special characters you can produce with various key formulas, especially math symbols. One day I’ll get around to exploring them all.

Another point of interest: both PC and Mac keyboards make using an em dash for interrupted dialogue really annoying. If you type dialogue like

“I thought I told you”

you can use an em dash to show that the dialogue has been cut off by an event or another speaker:

“I thought I told you—”

What you can’t see here because WordPress made the correction, is that, using smart quotes as we usually must, in Word, the quote marks after the em dash will be backward!

You can make them come out correctly by typing a period, as in

“I thought I told you—.”

In my experience, this construction doesn’t take the period, though some style sheets may differ. If you don’t want the period, you have to reposition your cursor (use the arrow keys), delete the period, then move your cursor again before hitting return.

I’ve tried storing the corrected text in Autocorrect, but so far that hasn’t worked reliably. However, good news! If you are using smart quotes, Find and Replace, that ever-useful tool, will usually turn the errant quote marks around.

One last snark about Microsoft keyboards: if you do want to use an em dash as I’ve illustrated to show interrupted conversation, you have to type a letter after the two hyphens, then space so the hyphens will convert to a dash, then backspace to delete the letter. I guess I could use Find/Replace creatively again to correct this, but it’s one of those little annoyances. Anybody got a better fix for em dashes on a PC keyboard?

Thanks, Connie, for another useful post!

Life in the Realm of Fantasy

We’re halfway through week 2 of National Novel Writing Month. Today we’re continuing our review the rules for common punctuation. This essay first posted on Feb 6, 2019. As always, if you’re already up on these rules, thank you for stopping by and happy writing!


Over the years, I have seen many books written by wonderful authors who overuse em or en dashes.

I also tend to do that in blogging and in Facebook posts, and my first drafts can be peppered with them. Em dashes are a kind of author’s crutch because it is easy to rely on them.

Trust me, readers find it distracting to see an em dash in every paragraph. Some editors don’t want to see one on every page. Their point of view is that the em dash is like any other repetitive word in a manuscript. As a tool, it’s useful as a way…

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Hyphens and Compound Words #amwriting

Here’s some helpful enlightenment on one of the more annoying editing problems we all face. My own bête-noir is what Connie J. Jasperson tells me are “closed compounds”: combinations that are joined into a single word. I keep telling myself to try being consistent—is it “web site” or “website”? In some cases, if you’re writing for a particular publication, you can consult a style guide (I’m pretty sure that’s two words). If not, it’s off to a dictionary and then a round of “find/replace.” 🙂

Life in the Realm of Fantasy

National Novel Writing Month is in full swing. I am busy writing incomprehensible words that will require a great deal of revising and editing. But all that aside, this perfectly good post on hyphens and compound words was just lying around, so here you go! It was first posted on June 26, 2017, and since then, nothing has changed in the world of hyphenation. However, we can always use a little refresher when it comes to compound words and their usage.


Compound words are frequently a source of grief when I receive my manuscript back from my editor. Despite my best efforts, I habitually hyphenate words that should not be hyphenated.

Most people know that a compound word combines two or more words that function as a single unit of meaning.

Most people also know that there are two types of compounds:

  • those written as single words, with no hyphenation…

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No-Comma Zones!

Cartoon policeman

Grammar Police do exist.

They’re called agents.

I present as evidence a memory of my then-agent saying that when she saw a comma after “and” or “but” in a query or manuscript, she quit reading.

I consider her automatic rejection a bit extreme, but she highlights an important fact: agents are always in need of a reason to move on to the next query. If something as simple as a misplaced comma can earn instant rejection, why not work on getting such small triggers fixed?

I’ve created a list of what I consider five basic comma rules; I argue that if your questionable comma doesn’t fit one of these categories, you’re better off leaving it out. Many times a sentence’s meaning is perfectly clear without commas even if technically you should use them. Commas, correctly placed, control rhythm and emphasis in sentences, and where you use one can be a judgment call.

However, there are a few places where commas tend to crop up when they really shouldn’t. In these instances, they can interrupt rhythm rather than improve it and in some cases, they actually muddle meaning.

Poor little car loaded with baggage on a tangled highway

Here are three “no comma zones” you should be aware of.

1. Around essential modifiers when the essential element is a name.

Understanding essential vs. non-essential modifiers can be daunting. Here, I’ll review the protocol, but check out this link for additional guidance and more good examples.

A non-essential modifier provides additional information that really is just that—additional. It isn’t needed for the sentence to make sense.

The old car, which was a lot like the one my grandfather used to drive, had been repainted bright blue.

Take out “which was a lot like the one my grandfather used to drive,” and the sentence works just fine.

Non-essential modifiers take TWO commas, one before and one after. Think of the commas as “cuts” you could use to lift out the non-essential stuff. But consider:

The car that gives you the most mileage is the one you should buy.

Without the modifier, we have:

The car is the one you should buy.

Since the point of the sentence is to say which car, the modifier is essential to the work the sentence is meant to do.

Essential modifiers DO NOT TAKE COMMAS. Using them around these elements violates the “no comma zone.” And that is even true—especially true—when the essential element is a name.

You may have been taught that “appositives” always take commas. They certainly can. Except when they are essential elements. To see how you can decide, look at this:

Author, Steven King, writes a lot of thrillers.

The commas mean you can lift the name out. Try it.

Author writes a lot of thrillers.

See?

If you have so many commas you really want to use them up, you can write instead,

The author, Steven King, writes a lot of thrillers.

Personally, I would use commas in this instance only if we were talking about some book of which Steven King is the author, not if we are talking about him in general as an author. Compare “The author Steven King writes a lot of thrillers.” In my view, that’s perfectly fine, even though “Steven King” is technically an appositive.

Typewriter with question marks on the page

2. Between a subject and its verb

The cat with the calico coat, is my sister’s.

You wouldn’t do this? I’ve been in enough writing groups to know that a surprising number of people do. Understandable confusion arises when the “subject” is followed by some kind of interrupting modifier, which would be set off with commas:

The cat with the calico cat, however, is my sister’s.

In addition, looong subjects that may have their own internal commas can make it hard to detect the subject’s verb.

For example, in the sentence I just wrote, the “subject” extends from “looong subjects” all the way to “commas”; “can make” is the relevant verb. So sticking a “pause” between “commas” and “can” would violate this rule. Think of it as a “pause” that unnecessarily breaks up the sentence’s natural flow.

Big question mark in clouds

3. After introductory “And” or “But.”

If you are a disciple of Word’s grammar checker, you may never commit the supposed sin of starting a sentence with “And” or “But.” But doing so is completely acceptable, as long as it’s done in moderation. What’s NOT acceptable would be

But, doing so is completely acceptable, as long as it’s done in moderation.

The only possible reason to use a comma in this construction is to emphasize the “But.” In fact, commas in general throw emphasis onto the word directly before them. Such a strategy, though, should be a conscious decision. You couldn’t credibly claim you want to emphasize every “but” or “and” you write.

The Bottom Line:

While many excellent blog posts have been published about comma usage, in my view, these three cases of “no comma zones” have gotten short shrift. But each can act as a trigger for that agent or editor with a full inbox. Why not keep them reading long enough to discover your great work?

Book with pages folded like a heart

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The Hardest Comma Rule!

Check the five basic comma rules
Comma Love

Mathina Calliope, at Jane Friedman’s site, does a terrific job of explaining essential/restrictive versus nonessential/nonrestrictive commas, with lot of examples. I know from many observations that writers struggle with this distinction. It’s one of what I argue are “the only comma rules you’ll ever need,” but it’s the hardest to explain in a short space. So head over and check out her discussion.

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10 Good Grammar Resources by Melissa Donovan…

I’m not a fan of those apps and checkers that purport to “fix” your writing. They get way too hysterical about choices that should be judgment calls (e.g., starting a sentence with “But”). Here, however, is a useful list of common-sense sources to help with grammar conundrums. Thanks to Melissa Donovan, and to Chris the Story Reading Ape for sharing it.

(Forgive a moment’s rant about people I see on various self-help social-media pages who claim that they can be good writers while dispensing with a thorough understanding of the “grammar rules.” Some of these “rules” are flexible, but some basic punctuation conventions and sentence-structure mandates like subject/verb agreement are not. Yes, commas can be tricky, and we can argue about which ones are needed and which are optional, but if you still don’t know where apostrophes belong and where they don’t. . . . Yes, there really are grammar police. They’re called agents. 😦 )

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10 ways to proofread your own writing – by Louise Harnby…

I always like the advice Louise Harnby offers, and when Chris the Story Reading Ape shares one of her posts, I dive in. This post is packed with ideas for catching proofreading problems. I tried out the free “Bookalyser” app included and downloaded Harnby’s free guide to using Find/Replace in Word to catch glitches. In my next posts, I’ll report on what I found useful in the Bookalyser, and I’ll compare my own free download for using Find/Replace to catch proofreading slips to hers. In the meantime, hope you find this helpful!

Chris The Story Reading Ape's Blog

Fresh eyes on a piece of writing is ideal. Sometimes, however, the turnaround time for publication precludes it. Other times, the return on investment just won’t justify the cost of hiring a professional proofreader, especially when shorter-form content’s in play. Good enough has to be enough.

Here are 10 ideas to help you minimize errors and inconsistencies.

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How to use quote marks in fiction writing – by Louise Harnby…

I’d saved this post from earlier and have just checked in. Harnby has a wonderful way of explaining clearly, with good examples. Not only did she note a problem I see often (U.S. writers thinking that “distanced” words should be in single quotes), but she also told me something I didn’t know, and I’m a grammar geek: that U.K. editing places quote marks inside the punctuation in nested quotes. I’d seen that practice but hadn’t made the leap to generalizing to the rule. Use this guide whenever you wonder what to do with those annoying ” and ‘ marks.

Chris The Story Reading Ape's Blog

Here’s how to use quote marks (or speech marks) according to publishing convention in your fiction writing. The guidance covers both US English and UK English conventions.

In this post, I cover the following:

  • What quote marks are used for
  • Omitting a closing quote mark in dialogue
  • Whether to use single or double quote marks
  • Whether to use straight or curly quote marks
  • Where the closing quote mark goes in relation to other punctuation​
  • When not to use quote marks​

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FREE Download! What You WILL Miss When You Proofread!

It’s a plain truth that our eyes skip over typos when we’re proofreading our own work. Words you left out or accidentally cut (or accidentally failed to cut) may be the hardest mistakes to catch. But the good news is that you CAN catch another type of invisible errors: punctuation and spacing glitches that detract from the professional manuscript you want to market under your name.

In this pdf, What You WILL Miss When You Proofread, I’ve combined three blog posts to show you some simple tricks using an old friend, Find/Replace, to search for and fix common typos from double periods to missing quotes. You won’t need any elaborate codes; all the commands you need are right there in the FIND box.

My fixes are based on Word, but you should be able to adapt them to any word-processing program you use.

Download!

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A.P. Says We Are Now Free To Boldy Go!

Cartoon policeman blocking social media posts

Caution: Grammar Police!

Still on my “grammar rules” kick, but this is pure glee.

The 2019 American Copy Editors Society Conference!

As reported in The New Yorker. See what you now can and cannot do!

#amediting, folks!

 

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The Em Dash— #amwriting

I often turn to Connie J. Jasperson for good common sense about writing, in this case an issue that looks as if it ought to be simple, yet plagues many of us. I also note the use of an em dash to indicate interrupted dialogue–another use that can be overdone! (em dash intended). Thanks, Connie!

Life in the Realm of Fantasy

Over the years, I have seen many books written by wonderful authors who overuse em or en dashes.

I also tend to do that in blogging and in Facebook posts, and my first drafts can be peppered with them. Em dashes are a kind of author’s crutch because it is easy to rely on them.

Trust me, readers find it distracting to see an em dash in every paragraph. Some editors don’t want to see one on every page. Their point of view is that the em dash is like any other repetitive word in a manuscript. As a tool, it’s useful as a way to emphasize certain ideas, and can also be used to good effect in the place of a semicolon. In my opinion, the em dash should be used sparingly to be most effective.

So, what is the difference between the hyphen and the em dash? Aren’t…

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