Tag Archives: Editing your novel

6 ways to improve your novel right now – by Louise Harnby…

These smart tips from Louise Harnby on cleaning up your prose in late edits also work well when you’re looking for those last thousand or so words you need to cut. For example, every time you eliminate a dialogue tag like “said,” you generally cut at least two words. Same with cutting filters (and this is an excellent primer on what that term means). In my “Power-Cutting” posts, I’ve also noted how often the phrases “to me” or “for him” can be cut; they act a lot like Harnby’s “anatomy-based action[s].” For example:

“He offered the book to me” vs. “He offered the book” when “I” am standing right there and the obvious recipient of the book.

I found a whole short-story-full of those kinds of cuts!

I’m currently deep in edits of my “Horse Show Book,” tentatively titled Three Strides Out (more mystery and horses!!), and hope soon to be able to edit at the level Harnby’s discussing here. That’s always a great milestone.

Chris The Story Reading Ape's Blog

Give your novel a sentence-level workout. Here are 6 common problems, and the solutions that will improve the flow of your fiction and make the prose pop.

Review your novel for 6 common problems. None involve major rewriting, just relatively gentle recasts that will improve your prose significantly, and make your reader’s experience more immersive.

1. Assess invasive adverbs
2. Remove redundant filter words
3. Take the spotlight off speech tags
4. Pick up dropped viewpoint
5. Trim anatomy-based action
6. Turn intention into action

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Hyphens and Compound Words #amwriting

Here’s some helpful enlightenment on one of the more annoying editing problems we all face. My own bête-noir is what Connie J. Jasperson tells me are “closed compounds”: combinations that are joined into a single word. I keep telling myself to try being consistent—is it “web site” or “website”? In some cases, if you’re writing for a particular publication, you can consult a style guide (I’m pretty sure that’s two words). If not, it’s off to a dictionary and then a round of “find/replace.” 🙂

Life in the Realm of Fantasy

National Novel Writing Month is in full swing. I am busy writing incomprehensible words that will require a great deal of revising and editing. But all that aside, this perfectly good post on hyphens and compound words was just lying around, so here you go! It was first posted on June 26, 2017, and since then, nothing has changed in the world of hyphenation. However, we can always use a little refresher when it comes to compound words and their usage.


Compound words are frequently a source of grief when I receive my manuscript back from my editor. Despite my best efforts, I habitually hyphenate words that should not be hyphenated.

Most people know that a compound word combines two or more words that function as a single unit of meaning.

Most people also know that there are two types of compounds:

  • those written as single words, with no hyphenation…

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For the Amusement of My Writer Friends

Photo by Pixabay on Pexels.com

I’ve been AWOL recently because I’ve been busy writing! I’m trying to slide Book 3 of my mystery trilogy into a channel where it will start floating right along (I suspect you get that metaphor), and I’ve been keyboarding the longhand draft of my “Horse Show Book” (great titles, huh?) that I just completed last week. My hope is that the closing scenes of this psychological suspense/mystery will work as well when I type them as they seemed when I (literally) penned them. We’ll see.

Apropos of that milestone, I had the following conversation with a non-writer friend the other day. I wonder if only writers will “get” this:

Friend: When are you going to publish your Horse Show Book?

Me: Oh, it will be a good while.

Friend: But you said you’d finished it!

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Useful Info on Word Counts

Big green smileyThis post from Bookends Literary about the preferred (or maybe acceptable) word counts for different genres justifies my efforts to cut 6,000-7,000 words from my latest finished manuscripts. Since word count is often the first thing an agent or editor sees, I was happy to be able to claim something more appropriate than 107,000 words. image of scissors

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What is head-hopping, and is it spoiling your fiction writing? – by Louise Harnby…

More good help from Louise Harnby, via Chris the Story Reading Ape. This piece on point of view contains some excellent, clear examples if POV gives you fits.

No names shall be mentioned, but I’ve been seeing an awful lot of “head-hopping” in works by some well-regarded authors; I’ve learned not to gripe when it’s clear writers have built up faithful followings for whom what bugs me doesn’t even register.

Still. It DOES bug me. The minute your reader stops to scratch their head, you’ve lost them, even if for only a moment.

So I say, be purists about point of view!

Chris The Story Reading Ape's Blog

Are your readers bouncing from one character’s head to another in the same scene? You might be head-hopping.

This article shows you how to spot it in your fiction writing, understand its impact, and fix it.

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THE THINGS YOU MISS WHEN YOU PROOFREAD, PART 3: Creative Finds and Fixes

Part 3: Proofreading Slips You Can Find and Fix with Creative Tricks

Fact: You will miss things when you proofread your manuscript. Your eyes see what they expect to see.

Fact: A little creative use of Find/Replace, in Word or your preferred program, can find these hard-to-spot slips for you—and fix them with a keystroke.

I’ve split this post into three subposts, so you can use what you need when and if you need it:

These posts are based on Word, but most of the notations are universal. You should be able to apply them in any program you use.

These hard-to-see slips take a little more creativity to find and address than those in Part 2, but most of these searches will return “Not Found,” so you just move on to the next.

In each case below, I will

  • List the problem,
  • Show you what to type in the Find bar in the Find dialogue box
  • Show you when to eyeball if context is important
  • Show you what to type in the Replace bar
  • Tell you when to click “Replace all” or when to click Replace

In some cases below, I tell you that you can click “Replace all” after eyeballing to check that you’re finding the right combination. However, I generally eyeball each instance (there won’t be that many) and click “Replace.”

Do NOT type “+” in the Find or Replace bars unless you are actually searching for the “plus” sign. I am using it below to indicate “then type.” There should be no spaces between symbols in the bars unless you are specifically searching for a space.

For example, the first direction below would look like ^p’ in your Find bar.

Problem: Single quote marks

These are almost invisible! Apply several formulas to find them, since they can occur in different situations.

Formula 1: Single quotes at the beginning of a paragraph of dialogue

  • Find: ^p and a single quote mark (‘). (The ^ lives above the numeral 6.)
  • Eyeball one or two to make sure you’re finding the right combination.
  • Replace: ^p + a double quote mark (“). (This will look like ^p”)
  • Click: Replace all

Formula 2: Single quotes at the beginning of a line of dialogue that’s not at the beginning of a paragraph

  • Find: one space (tap space bar) + a single quote mark (‘). (When you tap the space bar, you won’t see anything in the Find bar, but the cursor will move.)
  • Eyeball to check that you have not found dialogue within dialogue, which takes a single quote mark.
  • Replace: space + double quote (“)
  • Click: Replace.

Formula 3: Single quote marks at the end of line of dialogue within a longer paragraph

  • Find: a single quote mark (‘), then space (tap the space key).
  • Eyeball to check that you have not found dialogue within dialogue, which takes a single quote mark.
  • Replace: double quote marks (“), then space
  • Click: Replace.

Formula 4: Single quotes at the end of a line of dialogue that ends the paragraph.

  • Find: a single quote + ^p. (You might also run a check with single quote, then space, then ^p , since you may have typed a space after the quote mark.)
  • Eyeball to check.
  • Replace: double quote + ^p
  • Click: Replace all.

Problem: An extra space before or after a quote mark.

These can cause your smart quote marks to “turn around,” since Word decides which direction they should face depending on whether they come before or after a line of type.

  • Find: space + quote marks + space. (Finds extra spaces at both the beginning or end of a line of dialogue).
  • Eyeball each instance.
  • Replace: Same as above with incorrect space eliminated.
  • Click: Replace.

OR

  • Find: ^p + quote marks + space bar.(Finds this problem at the beginning of a paragraph).
  • Eyeball each instance.
  • Replace: ^p + quote marks
  • Click: Replace.

Problem: An extra space at the beginning of a paragraph.

These create a ragged indent line that you may not spot by eyeballing.

  • Find: ^p + space
  • Replace: ^p
  • Click: Replace all

*******

Completely missing quotes like those illustrated in the next section are the most challenging to find. This section suggests a couple of Find tricks you can try—and maybe you can invent your own.

Problem: Missing quotes at the end of a line of dialogue. Example: “It’s cold in here, said Tom.

  • Find: comma + space + s. (Make sure you’ve already eliminated double spaces!)
  • Eyeball each instance.
  • Replace: comma + quote marks + space + s
  • Click: Replace.

Repeat with question marks as well as exclamation marks if you use them.

Repeat with the first letter of characters’ names, so you will also catch “It’s cold in here, Tom said.

Repeat with “asked,” “replied,” “demanded,” or whatever dialogue tags you often use.

Problem: Missing quotes at the beginning of a line of dialogue

I haven’t devised a foolproof way of finding these. Here’s one trick that will find some. Examples: X said, It’s warm in here.” OR “Boy,” X said, it’s warm in here.”

  • Find: said + comma+ space  + ^$ (for “any letter”) (Check “More,” then “Special” to make sure this is the correct notation for “any letter” in your version of Word.)
  • Replace: said + comma+ space  + quote marks + ^$
  • Click: Replace
  • Repeat with other dialogue tags you commonly use.

If you can think of a way to find missing quote marks at the beginning of a paragraph or before and after random narrative/actions rather than dialogue tags, please share!

Problem: Capitalized dialogue tags

These errors result when you have Autocorrect turned on, using its default settings. It may be set to capitalize letters after periods, question marks, and exclamation points. Example: “Is it warm in here to you?” Asked Tom.

  • Find: relevant punctuation mark + quote marks + A (or S for “said” or R for “replied” or whatever), and then check “Match case.”
  • Replace: relevant punctuation mark + quote marks + a (or s for “said” or r for “replied” or whatever)
  • Click: Replace

(You can prevent this by adjusting your settings in Autocorrect.)

Back to Part 2: Minute Finds and Fixes

Back to Part 1: Secrets of Find/Replace

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THE THINGS YOU MISS WHEN YOU PROOFREAD, PART 2: Minute Finds and Fixes

Part 2: Proofreading Slips You Can Find and Fix in Minutes

Fact: You will miss things when you proofread your manuscript. Your eyes see what they expect to see.

Fact: A little creative use of Find/Replace, in Word or your preferred program, can find these hard-to-spot slips for you—and fix them with a keystroke.

I’ve split this post into three subposts, so you can use what you need when and if you need it:

These posts are based on Word, but most of the notations are universal. You should be able to apply them in any program you use.

Minute Fixes Using Find/Replace

Again, these are problems that are easy to miss if you’re eyeballing. Find has much better eyesight than you do!

In each case below, I will

  • List the problem,
  • Show you what to type in the Find bar in the Find dialogue box
  • Show you when to eyeball if context is important
  • Show you what to type in the Replace bar
  • Tell you when to click “Replace all” or when to eyeball before clicking Replace

Do NOT type “+” in the Find or Replace bars unless you are actually searching for the “plus” sign. I am using it below to indicate “then type.” There should be no spaces between symbols in the bars unless you are specifically searching for a space.

Problem: Double periods

  • Find: period + period (..)
  • Replace: a single period (.)
  • Click: Replace all

Problem: Comma + period or period + comma

  • Find: Either ., or ,. (Do one at a time)
  • Eyeball: The punctuation you need depends on the context
  • Replace: Minimize key strokes by doing all the ones that can be replaced with a period, then coming back and doing all the ones that can be replaced with a comma. Type either a period (.) or a comma (,).
  • Click: Replace

Problem: Extra spaces

Used to typing a double space after periods, and HATE being told that’s no longer preferred? You don’t need to remember to single-space. Do what you like. Then:

  • Find: Tap the space bar on your keyboard twice. (You will see nothing in the bar but the cursor will move.)
  • Replace: Tap the space bar once.
  • Click: Replace All.

Do this twice just in case you accidentally typed in three spaces here and there.

Problem: Tabs

If you’ve posted to Kindle or Smashwords, you know that tabs are NOT allowed. You’re encouraged to do all your formatting, including first-line indents, with Styles. But even if you apply a perfect Style throughout your manuscript, any tabs you haven’t removed will still be there, creating all sorts of formatting glitches.

  • Find: ^t (the ^ mark lives above the numeral 6)
  • Replace: leave blank
  • Click: Replace All.

Problem: Extra Returns

Make sure you didn’t accidentally insert a space between paragraphs.

  • Find: ^p^p
  • Replace: ^p
  • Eyeball, since some of your double returns will be deliberate, for example, to mark a scene break.
  • Click: Replace when appropriate.

Problem: Manual Line Breaks

These are those funny little arrows that sometimes show up when you’ve copied and pasted from an odd source, like an email. They won’t format properly when you upload.

Do you want the lines to combine into a single paragraph, or do you want a paragraph break?

Paragraph break: Do this first, then do each affected paragraph as a separate chunk (see “Single paragraph” below)

  • Find: ^l (lower-case L)
  • Eyeball: Locate places where you want a paragraph break; select only those.
  • Replace: ^p.

Single paragraph:

  • Find: ^l
  • Select the lines you want to combine.
  • Replace: space (tap space bar once)
  • Eyeball: Have you created double spaces? If so, replace double spaces with singles (see above).

Problem: Double hyphens to em dashes

Double hyphens (–) are a clumsy substitute for the more elegant and correct em dash (a long dash). On a Mac, you can create an em dash in your text by typing Shift + Option + hyphen, but on a PC, you have to “insert” the special character. So being able to type double hyphens and replace them with em dashes in one fell swoop can save a lot of time (you could actually program Autocorrect to do this if you want).

  • Find:  — (2 hyphens)
  • Replace: Open “More,” then “Special” in the Find box and click on “Em Dash.” The appropriate notation will appear in the bar. (The notation for an em dash appears to be different depending on your version of Word.)*
  • Click: Replace all.

 

*If any of the notations I’ve given you don’t work properly, use the Special list to figure out the correct one for your program or computer.

Next: Part 3: Creative Finds and Fixes

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Reference Books and Style Guides, #amwriting

What an absolutely terrific post! I completely agree with Connie Jasperson about Strunk &White: too rigid, outdated (even though the general sentiment is fine). I have often recommended both Story and The Writer’s Journey to fellow writers–and I’ve promoted Rhetorical Grammar aggressively on this blog several times. This “textbook” provides a whole new way of looking at how readers read what you wrote. Invaluable! Thanks, Connie!

Life in the Realm of Fantasy

I use the internet for researching many things on a daily basis. However, in my office, some reference books must be in their hardcopy forms, such as The Chicago Manual of Style. I (and most other editors) rely on the CMOS, as it’s the most comprehensive style guide, and is geared for writers of essays and novels, fiction, and nonfiction.

Strunk and White’s Elements of Style is an acceptable beginner style guide, but is presented in an arbitrary, arrogant fashion and sometimes runs contrary to commonly accepted practice. Strunk and White’s Elements of Style is still the same book it was when it was originally conceived, as it has not changed or evolved, despite the way our modern language has changed and evolved. Because the Elements of Style is somewhat antiquated in the rules it forces upon the writer, I no longer even own a copy of it.

Instead, I…

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Terrific Piece on Working with Critique Groups!

So many books!

This is one of the most thoughtful pieces I’ve read about the critique group process, from guest blogger Kathryn Craft posting at Writers in the Storm. It rings true for me on so many levels.

Are you in a critique group? Is Kathryn speaking to/for you?

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EDITING 101: 22 – Using Registered Trademarks and Brand Names…

Understanding how to handle trademarked or brand names does indeed seem to perplex many of us. There’s some good practical advice in this post.

Chris The Story Reading Ape's Blog

Originally posted as the Dun Writin’—Now Whut? series on this blog, EDITING 101 is a weekly refresher series for some of you and brand new for others.

Courtesy of Adirondack Editing

Using Registered Trademarks and Brand Names

When you’re writing and your character uses a Kleenex, you’ve just used a registered trademark. Normally in non-fiction or business writing, you’d see it this way: Kleenex® or Kleenex™. To avoid using a brand name, you could say your character used a “tissue.”

You do not have to use ® or ™ in fiction writing.

The words aspirin, escalator, phillips-head screw, zipper, yo-yo, and vaseline were once trademarked but have lost that protection. They acquired such market dominance that the brand names became genericized. Companies want their products to become popular—but not too popular!—since there’s a price to pay for that popularity.

Kleenex®, Xerox®, Band-Aid®, and Plexiglas® were once in danger of losing their trademark…

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