Here’s another of Victoria Strauss’s valuable words-to-the-wise about the business of becoming a published author: what can go wrong if you type “Find a Publisher” into Google. As always, Strauss provides an excellent Writer Beware list. Her spotlight on the scams writers face is one of the most valuable resources writers can consult.
Thanks to Chris the Story Reading Ape for making this terrific Jane Friedman article available! I’m closing in on the decision as to whether to self-publish or go the traditional route with a small press, so this article is a godsend!
Chris The Story Reading Ape's Blog
In my annual chart,The Key Book Publishing Paths, there is one column that is most vexing and problematic for writers to navigate: small publishers.
Into this category falls some of the most prestigious publishers you can imagine, that can boast of New York Times bestsellers, and that writers dream of working with.
But it also includes publishers that started up last year out of someone’s home office, run by people who may not know anything more about the publishing industry than you do.
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Filed under business of writing, ebooks, indie publishing, Money!, Myths and Truths, novels, Print on Demand, Publishing, publishing contracts, reversion of rights clauses, small presses, Writing
Though it’s about Canada, Barlow touches on an issue that affects us all. She writes, “When I Google my own work, I discover so many sites offering free (i.e., illegal) PDFs of my books that I can’t keep track of them anymore. And neither can my publisher.” I basically gave up trying to address this problem. Maybe it’s up to readers not to buy from these sites? As Barlow writes, we all fall prey to the idea that if it’s available online, it ought to be free. American copyright law doesn’t address this problem, either, and, as is often the case, the Canadian example can be instructive.
So how to spread the word among readers? What do you think?
The Federal government is in the process of revising the Copyright Act. If you don’t think that matters to writers, think again.
I’m always surprised to see blank stares on writers’ faces when I launch into a speech about copyright. Some of them aren’t clear why copyright really matters. Others aren’t sure what copyright even is. Fair enough—it’s not the sexiest topic in the writing world. But even if you don’t notice it, it’s fundamental to our business.
Here’s why. I am a non-fiction author of six books and a magazine writer. To earn my living I sell the right to use my work, either to publishers who pay me advances and royalties or to magazines who pay me fees to publish my articles. For most of my twenty-five-year career, this revenue has constituted most of my income.
Simply put, copyright law is what makes it possible for me to…
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What would you add to this thoughtful post from Alison Williams Writing? Have your experiences with small publishers been good or bad? Are indie writers better off self-publishing? What do you think?
Alison Williams Writing
I recently wrote a bit of a rant about the quality control of some small presses whose books I had read. You can read it here.
If you are thinking of signing with a small publisher, then do bear a few things in mind.
- Do your homework – start off by Googling the publisher. You might find threads on writing sites that go into a great deal of detail about your chosen publisher. Read them – they can be incredibly enlightening.
- Ask questions – if your publisher is honest and genuinely wants the best for you, they should accept that you have a right to want to know about them. After all, you are placing your book and all the blood, sweat and tears that went into writing it in their hands.
- Who are they?
- How long have they been publishing?
- What exactly is their background and experience?…
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Filed under business of writing, ebooks, Editing, indie publishing, looking for editors, Marketing books, Money!, Myths and Truths, novels, Publishing, publishing contracts, Scams, Self-publishing, small presses, Working with editors, Writing