Check out this article from Digital Book World about a new venture at Barnes and Noble to allow self-published writers to offer print versions in B&N venues, hopefully a step that will help keep them afloat. Chime in with your views on whether this new option is worth a look.
From fellow writer alfageeek, here’s a link to a Scribophile piece on dialogue that provides some excellent elaboration on the piece I reblogged yesterday. Join in the discussion about “actions” as “dialogue tags.”
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This post from Kristen Lamb’s blog gives some good basic guidelines for using and punctuating dialogue. These principles can be surprisingly hard to master, so a good primer is always helpful. The one I see most often is the use of an action as if it were a dialogue tag. To add to Kristen’s list, I’d say, “Watch out for that darn Autocorrect in Word. If you have it turned on and you accidentally type a period instead of a comma after the dialogue, Autocorrect automatically capitalizes the next letter, so you end up with two punctuation gaffes, not one.
Thanks, Kristen!
Today we are going to talk about dialogue. Everyone thinks they are great at it, and many would be wrong. Dialogue really is a lot tricker than it might seem.
Great dialogue is one of the most vital components of fiction. Dialogue is responsible for not only conveying the plot, but it also helps us understand the characters and get to know them, love them, hate them, whatever.
Dialogue is powerful for revealing character. This is as true in life as it is on the page. If people didn’t judge us based on how we speak, then business professionals wouldn’t bother with Toastmasters, speaking coaches or vocabulary builders.
I’d imagine few people who’d hire a brain surgeon who spoke like a rap musician and conversely, it would be tough to enjoy rap music made by an artist who spoke like the curator of an art museum.
Our word choices are…
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Filed under correct grammar for writers of fiction, ebooks publishing and selling, Editing your novel, grammar rules for writers, indie publishing, Learning to write, Publishing, punctuation for writers of novels, self editing for fiction writers, Self-publishing, style for writers, Writing, writing novels
Thanks to PubCrawl and Kelly Van Sant for this clear and comprehensive piece about red flags in publishing contracts.
It should be required reading!
Connie does a terrific job of explaining POV here. True, very, very skilled writers can “head-hop”—Larry McMurtry does it all through the Lonesome Dove books—but for most of us, suddenly slipping from one POV to another without the kind of warning Connie suggests is jarring. I’ll add that one of the easiest mistakes to make is for a POV character, whether third- or first-person, to “see” him- or herself. For example, if we want to stay true to the character’s point of view, we can’t say about a POV character, “I gave an enticing smile.” The character can give a smile that “I hoped was enticing,” or “I meant to be enticing,” but only a viewer (another character) can tell if the smile actually was “enticing.” These slips can be subtle but disorienting.
Read Connie’s piece for a good review of this important issue!
A young author recently asked me, “What is head-hopping and why has my writing group accused me of doing it?” Head–hopping occurs when an author switches point-of-view characters within a single scene, and happens most frequently when using a Third-Person Omniscient narrative, in which the thoughts of every character are open to the reader.
It’s difficult to know whose opinions are most important when all your characters are speaking in your head as you are writing. They clamor and speak over the top of each other, making a din like my family at any holiday dinner. But you must force them to take turns speaking, and make a real break between the scenes where the speaker changes, or each rapid shift of perspective will throw the reader out of the story. But what is Point of View other than the thoughts of one or two characters?
Point of view is a common…
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I’m not In KU, but this news certainly makes me think twice about signing my books up. What do you think? Are you a member of KU, either as an author or reader?
There’s this indie author I know a little bit from the Kboards.com forum. Her name is Pauline Creeden, and she’s an ordinary midlister, like so many of us. I remember PMing her some time ago and gushing about how particularly beautiful one of her book covers is — the one for Chronicles of Steele: Raven.
Here, I’ll include an image. Gorgeous, eh?
Anyway, today I tuned in to Kboards and noticed that Pauline had started a thread. It contained what’s surely the worst news possible for an indie author: Amazon had closed her publishing account. All her ebooks had been taken off sale. Permanently. Here’s the email she got from Amazon:
We are reaching out to you because we have detected that borrows for your books are originating from systematically generated accounts. While we support the legitimate efforts of our publishers to promote their books, attempting to manipulate…
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Filed under writing novels
As a mystery writer, I love the analysis in this list! My favorites:
No. 2) Isn’t it great when the police are conveniently so stupid that the detective can look smart with very little effort? That dates at least to Arthur Conan Doyle (remember Lestrade?), but it’s a long way from the truth. Rachel is absolutely right that police work can be a difficult and thankless task.
No. 3) Follows from No. 2, as Rachel points out. The detective is the only one with the basic common sense to detect foul play.
What am I guilty of? Well, My Failed Novel had a depressed detective hero. Never again. I plead guilty to inserting some attractive female characters in my first two books, now online. I hope these women are just a little bit nuanced so that they’re not total clichés.
What would I add?
What would you add?
You might want to check out this list of 31 romance publishers who accept unagented work from Authors Publish!
Everything you want to know about Google Docs. I plan to learn more about this platform, and this post will be a go-to source!
I’ve been learning so many new Google Docs features as I work on THE STORY CHALLENGE, that I felt I had to document them and share them with my fellow writers!
I’ve created a detailed workflow which you can download at the end of this post and use as the basis of your own experimentation.
I think you’ll still be surprised by some of GD’s secret features.
You can now watch the workshop below!
Hopefully it’ll help to see the features rather than just read about them.
The folks at Lit World Interviews conducted a survey. See where you fall on the spectrum! I posted my reasons for not finishing a book and for feeling kicked out of the story world; see if you agree!
Recently, we here at LitWorldInterviews.com conducted a survey, “Why do you put a book down?” and through the assistance of the writing community we had a very nice response. Now it’s time to share what we found.
First, I want to say why the survey was conducted. We wanted to help writers by giving them the information they most need. If a reader takes the time to check out your book and don’t like it, they are unlikely to give you a second chance with your next work. First impressions mean a lot.
86.30% of those responding were Female, thus leaving the remaining 13.70% Male. Considering the majority of those reading novels are Female, although not quite this extreme, I’m comfortable with sharing what we found.
There were 34 sub-categories as a result of the survey. Those results were then placed into 5 main categories: Writing, Editing, Proofreading, Taste, and…
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Paddy and his mom!
Just Can't Help Writing 