Connie does a terrific job of explaining POV here. True, very, very skilled writers can “head-hop”—Larry McMurtry does it all through the Lonesome Dove books—but for most of us, suddenly slipping from one POV to another without the kind of warning Connie suggests is jarring. I’ll add that one of the easiest mistakes to make is for a POV character, whether third- or first-person, to “see” him- or herself. For example, if we want to stay true to the character’s point of view, we can’t say about a POV character, “I gave an enticing smile.” The character can give a smile that “I hoped was enticing,” or “I meant to be enticing,” but only a viewer (another character) can tell if the smile actually was “enticing.” These slips can be subtle but disorienting.
Read Connie’s piece for a good review of this important issue!
A young author recently asked me, “What is head-hopping and why has my writing group accused me of doing it?” Head–hopping occurs when an author switches point-of-view characters within a single scene, and happens most frequently when using a Third-Person Omniscient narrative, in which the thoughts of every character are open to the reader.
It’s difficult to know whose opinions are most important when all your characters are speaking in your head as you are writing. They clamor and speak over the top of each other, making a din like my family at any holiday dinner. But you must force them to take turns speaking, and make a real break between the scenes where the speaker changes, or each rapid shift of perspective will throw the reader out of the story. But what is Point of View other than the thoughts of one or two characters?
Point of view is a common…
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