This article from Writers Helping Writers by Deborah Dixon, author, editor, and racial justice activist, addresses an issue that has troubled me and that should, in my view, be of concern to us all. Not everyone may agree with Dixon on every point, but as a middle-class white woman (raised in the south at the end of Jim Crow and on the edge of the Civil Rights Movement) trying to produce writing that entertains yet does no harm, I’ve struggled with how to or whether to develop minority characters in my work (as well as how to address socially problematic themes).
I don’t want to preface this post with an extended essay on my own consciousness—there are probably better places for that, if it needs to be written at all—but I do want to say that when I wrote the novels that were published in the 1980s, I was massively ignorant and insensitive (though perhaps not insensitive enough to commit most of the more egregious mistakes). When I returned to these books to self-publish them, I reread them with more awareness and indeed made some changes, so that I hope people buying my two republished books purchase those and not the earlier versions (this is truer of Blood Lies than of King of the Roses, although I still sometimes consider further edits of that book).
My depictions of characters came from my experience of the people around me in the horse world. That those experiences were incomplete goes without saying. In my defense, I think that in those books, I write about a range of characters with many nuances, good people and bad.
In any case, Dixon’s discussion gives me some guidance, and with that guidance, perhaps some confidence going forward that will allow me to take risks I’ve probably been shying away from. Even if you don’t agree with every request Dixon makes of us, I hope you will agree with me that it is better to make decisions about representation thoughtfully, with our eyes open, even if we don’t always get it all exactly right.
Have you ever struggled with representing people different from you in your writing?
As usual, The Book Designer provides important information for those of us learning to market our books. Here, Amy Collins, book distributor and marketer, clears up those pesky Amazon rules on book reviews. I haven’t seen this information laid out more clearly than this.
Filed under Amazon Kindle Direct Publishing, business of writing, Free Books, indie publishing, Marketing, Marketing books, Money!, Print on Demand, Reviews, Self-publishing, Writing
A great list that gives you a process for proofreading—and I can attest that these steps work for me. I especially want to echo Dave’s advice to read in hard copy. Not only will you spot errors you miss on screen (track changes be darned), you will see your work in a different light. Something changes in your head when you hold a sheet of paper and a pen in your hand. I can’t explain this, but I know it’s true for me.
When you’re done with this process, run your manuscript through my “Things You WILL Miss When You Proofread” posts. They’ll help you catch those little things your eyes will still miss but your computer won’t.
The Haunted Pen
Proofreading. Some writers love it, some writers despise it. But whatever your feelings, proofreading is your final task when preparing to share your words with the world.
Writers often read their words the way they believe they wrote them, not how they actually wrote them. This means spelling mistakes, typos and grammatical errors, such as poor sentence structure, wrong choice of words and punctuation can all go unnoticed by the writer. These factors impact the context and readability of the work.
The good news is that proofreading skills can be learned, developed and improved. Where is the best source for information on learning how to proofread, I hear you ask (at least I hope you are).
Fear not my friends, help is at hand and The Haunted Pen is here to save the day!
The best source for hands-on information is a professional proofreader – someone who has spent years…
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