Tag Archives: writing novels

Describers vs. Prescribers: Reaching a Linguistic Common Ground

The grammar policeman will enforce the grammar rules!

Visit from the Grammar Police!

Reading this piece from Nicholas C. Rossis, I couldn’t help giving a mental high-five. Starting sentences with gerunds (and various other odd bits of language) is absolutely okay! I would caution that starting sentences with -ing forms of verbs can all too easily lead to “dangling modifiers,” for example, “Reading this, it was a really good discussion of an issue we all face.” If you’re not sure why that sentence DOES contain a sentence-structure error, look up “dangling modifiers.” Returning, however, to the question of prescriptive versus descriptive language mavens, I ask only—well, mainly—that the parts of sentences hook up logically so that I can tell what modifies what and who’s doing what.
I have a feeling this is sliding into a rant. Check my series on “How Much Grammar Do You Need,” and here and here, for my largely descriptivist views.

Nicholas C. Rossis's avatarNicholas C. Rossis

When I published The Power of Six, my first collection of short stories, a reviewer said that the book had grammatical errors, albeit small ones. This shocked me, as the book had been professionally edited and proof-read. So, I reached out and asked her for an example. “You start a sentence with a gerund,” she said. “So?” I asked. “So, that’s wrong.”

I was baffled by this. Surely, that’s a matter of style, right?

This seemingly innocent question actually led me into a minefield. As The Economist points out, for half a century, language experts have fallen into two camps. Most lexicographers and academic linguists stand on one side, and traditionalist writers and editors on the other. The question that defines the to camps is deceivingly simple: should language experts describe the state of the language accurately? (Webster’s Third New International Dictionary, in 1961, shocked the world by including common…

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Writing a Press Release!

Typing up your press release for your book!These clear instructions and multiple templates and examples for how to write a press release for your book are exactly what I’ve been looking for. Now to get busy and DO IT! Share your experiences writing and sending out releases for your books!

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Stupid Writing Rules: 12 Dumb Things New Writers Tell Each Other

Fortunately for me, the members of both of the writing groups I belong to don’t traffic in most of these pointless prescriptions and proscriptions. I do, however, agree that too many people have a basic fear of the word “was.” As Allen points out, there’s a big difference between “I was reading when she came in” and “I read when she came in.” Also “had.” Sometimes the past perfect is just necessary. Do you have any “stupid rules” to add, or do you take exception to Allen’s judgment on these?

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What Happens In Your Brain When You Write?

This interesting infographic reinforces several things writing teachers know about writing. Writing is a powerful “mode of learning,” to borrow from 1970s writing researcher Janet Emig, because it does so many of the things shown here. One thing it does really well is to SLOW YOU DOWN so information has time to work its way into your synapses and new ideas to bubble up.

And as this infographic shows, writing involves your body and your senses, not just isolated parts of your brain.

And writing pushes you to be more precise in diction and sentence construction, since you can’t just toss a few disjointed words out but must connect them logically to each other.

So when you want to learn or remember something, write about it!

Unknown's avatarArcher's Aim

Amazing Facts on Writing and How it Affects Our Brain [Infographic] - An Infographic from BestInfographics.co

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A Book Production Checklist for Indie Authors

A comprehensive list for producing your own book for ingram, CreateSpace, KDP, and others! Lots of links and resources. Thanks, Chris!

Chris The Story Reading Ape's avatarChris The Story Reading Ape's Blog

An extract by Carla King, on BookWorks Site:

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Are you ready to upload your book for sale to the online retailers?

Got all your front and back matter, images, fonts, and ISBNs?

Use this checklist to make sure you’ve done everything you can to create a quality book that competes with books produced in the traditional publishing houses.

But first, here’s a quick overview of the entire book production process.

It begins with an unedited manuscript and ends with a check of the final proof before distribution.

Continue learning at the following link:

Book Production Checklist

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Some Helpful Advice on Copyright, ISBNs, and More

Books leading to a door in a brick wallJoel Friedlander is always a wonderful resource. Today’s “Mailbag” covers some important questions about copyright and ISBNs, as well as some questions about vendors and formatting decisions. Check it out!

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A Perennial Question: What is Literary Fiction?

Check out this discussion about the definition of literary fiction and add your opinion. While you’re at it, here’s literary agent Donald Maass’s answer. I like it. What do you think?Writer with questions

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The Story Question is Vital

This article addresses what I find is the most pressing issue in developing a novel. It’s the one I come back to again and again, hoping I’ve made it work and struggling if I think I haven’t.

In some ways, I think this article may distill the question down a bit more than I like; sometimes there’s a story question embedded in another story question, and both have to be answered. In Blood Lies, the obvious story question is whether Ted will find out who murdered Alejo. But the larger question that drives and even overrides this one is whether, in the process, Ted will become the man he needs to be to respect himself. So a corollary question to ask in working on story questions is whether the two (or more) questions serve each other. Does finding his best self help Ted find the murderer? Does finding the murderer help Ted find his best self?

In any case, in many unpublished novels I read, it’s the story question that’s missing–or just isn’t compelling. So this article is an excellent primer on this central issue in fiction.

Both the story question and the story problem are vital for crafting cohesive stories and strong fiction. A discussion of the story question in fiction.

Source: The Story Question is Vital

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Grammar Check! The Who/Whom Conundrum: When What’s Wrong is Right!

Who/Whom is kind of an odd choice. I call it a conundrum because you’ll do better, much of the time, to go ahead and get it wrong.

That’s because most people won’t even notice if you get it wrong—most of the time. But they probably will notice when you try extra hard to get it right and THEN get it wrong.

alarmed smiley

Simply speaking, only a rabid grammar termagant will rage if you just use ‘who” ninety-nine percent of the time.

After all, doesn’t it sound more natural to say, “Who did you give that to?” than “Whom did you give that to?”

The “whom” in the second is correct because it’s the object of the preposition “to” and objects have to be in the objective case (like “him,” “her,” “us,” and “me”). But our minds these days just aren’t trained to worry about all such distinctions.

What should you choose, who or whom?

Our rabid termagant will sputter that you shouldn’t end a sentence with a preposition, but that’s another argument. People DO end sentences with prepositions, and the principle stands: the incorrect “who” sounds more natural than the correct “whom,” so most people won’t even blink at this “mistake.”

The only time most people will want “whom” is when it directly follows its preposition, and that usually happens in a question that’s been re-ordered:

  • To whom did you give it?
  • With whom were you going?
  • I don’t remember for whom I bought this hat.

But do you have to write these particular sentences?

Who cares if you get who/whom wrong?

I suppose you may if you are writing Downton Abbey fan fiction. But in my view, don’t bother unless you have one of those hyperactive grammar consciences that wake you up in the middle of the night to go fix that comma you misplaced.

But ordinary people will be perfectly okay with

  • Who did you give it to?
  • Who were you going with?
  • I don’t remember who I bought this hat for.

Happy editingThe problem arises when people assume that because “whom” sounds so much more formal, one MUST use it whenever one wants to sound formal. One word for making choices like this is “hypercorrectness”: going so gaga trying to get it right that we actually get it wrong. For example:

  • Whom is going with us?

Ouch, that really grates. Subjects of verbs are always in the “subjective case”: I, you, he, she, it, we, and they. And “who.”

  • Who is going with us?

Who/whom solution

The messier­—and understandably more confusing—situation occurs when the who/whom pair has to be sorted out at the beginning of a dependent clause acting as an object. The handbook rule is that you choose “who” or “whom” depending on what it’s doing in its own clause, not in the larger sentence.

  • Did you say who is going with us?

(Correct: “who is going with us” is a noun clause acting as the direct object of “say,” but “who” is the subject of its own verb, “Is going.”)

  • Did you say whom the hat is for?

(Again correct:  Again, “whom the hat is for” is a noun phrase acting as the direct object of “say.” “Whom” is the object of the preposition “for.“).

The hypercorrectness bullyBut the troll of hypercorrectness comes charging out from under the bridge to wreak havoc on your writing when a writer gets paranoid and decides that “whom” sounds like what a smart person would say regardless of the role “who/whom” is playing in its own clause. Then we end up with

  • Did you say whom is going with us?

(Incorrect: yes, once again, “whom is going with us” is the direct object of “say.” BUT “whom” is holding the place of subject of the verb “is going” IN ITS OWN CLAUSE and should be in the subjective case—that is, “who.”)

  • Don’t give money to whomever asks for it.

(Again, incorrect. Yes, “whomever asks for it” is the object of the preposition “to.” BUT IN ITS OWN CLAUSE, “whomever” is trying to be the subject of “asks” and therefore should be in the subjective case—that is, “whoever.”)

Brain reeling? Too hard to sort all this out?

I agree.

Getting who/whom right!

And to repeat the point of this post, THERE IS NO REASON ON EARTH not to go ahead and use the perfectly natural-sounding”who,” and quit worrying about whether it is technically a mistake. Then you will say

  • Did you say who is going with us?

or

  • Don’t give money to whoever asks for it.

And you’ll not only be right, you’ll sound right. and the bonus is, you’ll sound right even if you say

  • Did you say who you bought the hat for?

So just kick “whom” out of your vocabulary rather than sticking it where it doesn’t belong (here’s a wise soul who agrees!).

Book open to the stars

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Five Things Writers Need to Know About Facebook

This article answers some questions I’ve had recently about my rather desultory use of my Facebook resources. Please let me know if you’ve had a different experience, or if you agree!

mdellert's avatarMDellert-dot-Com

“If you try to use Facebook for something it’s not designed to do, you’re just going to get frustrated over the lack of results.” — Tim Grahl, author of Your First 1000 Copies

Recently, I was posting my latest giveaway opportunity to a variety of promotional groups on Facebook. A fellow author and Facebook friend noticed and messaged me soon after: “You’re posting a lot on Facebook recently. How’s that working out for you?”

What he was really asking me: “How does one successfully use Facebook for author marketing?”

Tim Grahl recently addressed this question on his blog (Facebook and Author Marketing, September 17, 2016), and my own experience in growing my social media platform confirms many of the assertions that he makes in his article. To understand how to use Facebook for author marketing requires an understanding of what Facebook was designed to do.

Facebook is a Peer-to-Peer Network

Exclusivity

Firstly…

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