Closed for business: Two big things that could penalize your Amazon author account (and how to prevent them)

Here’s help negotiating Amazon’s review process! So much mystery!

Troy Lambert's avatar

Make no mistake. If you have heard me speak before almost anywhere or read anything I have to say about writing, I emphasize one thing above all else:

“You can be as artsy as you want to be while you are writing your book, but once it is finished, it is a product. A product you must distribute and market in order for it to sell.”

There’s another part to this reality of writing as a business: the number one distributor of ebooks remains Amazon, and for most authors about 80% of their sales would disappear, should the online giant refuse to sell their work. Discoverability on Amazon is the number one trick authors, publishers, and book marketers are trying to crack. Of course, if it works on Amazon, the same method will likely increase sales on iBooks and Nook as well, provided an author even offers their books for…

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Fantasy vs. Magical Realism

Here’s a useful article on a meaningful distinction. I’ve started pitching my work in progress, The Drowned Man, as magical realism. It certainly isn’t fantasy. Yet I’m not so sure it meets this definition either. What’s your definition of magical realism? Share your favorite examples!

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The Adverb Problem and Why Authors Should Care

Here’s an article about an old controversy: to adverb or not to adverb. My thoughts on this issue:

I agree with one of the comments in the original post that a blanket ban on adverbs is unworkable. In the sentence “After I had breakfast, I went to the store” (okay, it’s not literature), the first dependent clause, “After I had breakfast,” is an adverbial clause. Anything that fleshes out where, when, why, or how may well be adverbial. To ban adverbs completely would be to impoverish a piece of writing beyond recognition. Does “completely” in that sentence add anything? It does add emphasis. Whether it should be cut is a judgment call.
I do agree that it’s better to find the precise verb that does the work rather than to tack an adverb onto a weak verb. Sometimes that can be tricky, though. “He closed the door firmly” conveys an intentionality that ‘He closed the door” does not. “He slammed the door” won’t work. “He jerked the door shut” might work to replace “firmly.” It can take a long time for the word that works best to float up (and “best” is an adverb in that sentence). Finding the word that Mark Twain compared to lightning rather than the lightning bug should always be the goal, IMHO.

What’s your take on adverbs—the “ly” kind and its sometimes (adverb) invisible brethren?

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Do’s and Don’ts of Asking for Reviews

Book with heart for writersDo you review books? Can you add to this good advice? What makes you decide to write a review—or makes you decide not to? I find that I’m least likely to review something I’m reading if I’m unsure whether I’m reacting to the book itself or to conventions of a genre that I just don’t understand or care for. What about you?

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New Writers’ Comprehensive Reality Check!

Whimsical road Depositphotos_17645691_s-2015Joel Friedlander at The Book Designer shares this comprehensive discussion of myths and truths for first-time novelists from Florence Osmund. I would argue that you CAN format your books yourself if they’re not graphically complicated (i.e., just text). Check out my InDesign Beginner’s Cheat Sheet series. But this advice is worth taking to heart!

 

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It Ain’t Just Talk: 3 Crucial Elements of Great Dialog

Here’s some good stuff on dialogue! I have to say I’ve been reading a lot of dialogue recently that’s either way too generic or waaaaay too cute (the kind that goes on for pages because, it seems, the writer just likes hearing all that clever patter). And I confess, I struggle to stay within these parameters myself.
I think creating the best dialogue comes down to working with characters who are not generic themselves, who have something to say—and, as this article suggests, are in conflict in some way. For example, one wants something the other doesn’t want to give. The screenwriting books I’ve read called this “no” dialogue. Great stuff happens when “no” underlies the scene. Sound too negative? Next time you’re bored or stuck with your scene, try it.
One final thought: too much dialogue, and you’ve got a stage play, not a novel, not even a movie. This is one of my greatest challenges: making sure that conflict-filled dialogue scenes are tempered by scenes where characters do things instead of just talk.
What are your challenges, pet peeves, and strategies when it comes to dialogue?

Author Kristen Lamb's avatarKristen Lamb's Blog

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She’s baaaaack. Well, sort of. Today I have an extra special treat. This is going to sound super conceited but whatever, it is MY blog 😛 . But first lemme caveat with this.

I feel I DO have a knack for predicting the next big thing. Case in point, in 1993 I was at an air show and there was an unknown all-female band I chatted with because no one was really over there. I loved their unique sound and gushed over how one member employed the banjo (an instrument forgotten at that time).

I told them I was sure they were going to be the next biggest thing in country music, and even bought some of the cheap merchandise they sold to support their music and prove I meant what I said.

That little band was The Dixie Chicks.

I’ve done this time and time again with authors and…

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International Poetry competition – one of the biggest and best

Some readers might like to consider this contest! Sounds great for poets.

bridget whelan's avatarBRIDGET WHELAN writer

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One of the world’s biggest and most prestigious poetry contests, the National Poetry Competition is now open for previously unpublished poems of up to 40 lines on any subject. (Publication includes being posted on blogs, twitter etc etc)

The competition is judged by Moniza Alvi, Gerry Cambrige and Jack Underwood. Every entry will be read by at least two judges – they don’t just get to see a selected short list. All poems are judged anonymously.

1st prize is £5,000
2nd £2,000
3rd £1,000 and there are seven commendations at £200 each.

Winning poems are also published in an anthology and on the Poetry Society website, and there are other exciting opportunities for each year’s winners, including the opportunity to read at some of the UK’s biggest literary festivals and events.

Entry fee: The first poem submitted costs £6.50. Subsequent entries in the same submission cost £3.50 per poem. Poetry…

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7 Blogging Misconceptions (For Beauty, Book, Food Bloggers & More!)

What would you add to this list of misconceptions about blogging? I found it reassuring: I’m not doing everything wrong! Reblogged on WordPress.com

Source: 7 Blogging Misconceptions (For Beauty, Book, Food Bloggers & More!)

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My First BookBub Rejection

I highly recommend alfageeek’s candid, nuts-and-bolts reports on the marketing process. See, for example, his series on Twitter ads. Now here’s one on Bookbub, which is way out of my league at present. but which might be useful to you.
And may I echo his exhortation: If you’ve read either of my books, PUH-LEEZE post even a few lines of a review.

Joshua Edward Smith's avataralfageeek

EntropyI decided to take a shot at doing a promo with BookBub. Over the past few years, they have become the most effective marketing platform for e-books. Their reputation is that they reject almost all submissions, and they never tell you why they rejected you. But if you manage to get accepted, then you will sell a lot of books. They regularly update a chart that shows exactly how many books people in various categories and price points sell. That’s useful, because if they accept you, the listing is very expensive.

I signed up to their email list to be notified about Erotic Romance novels, since that’s the best category for my novels. (Even though I can’t say that on Amazon.) I was pleased to see that the books being promoted were not out of my league. Of the 24 Erotic Romance books they have listed right now, there…

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NEWSFLASH – Story Reading Ape Publishes Book…

I’ve found so much good stuff through Chris! Check this out: he’s a PUBLISHER now! Poems by his mom! Enjoy.

Chris The Story Reading Ape's avatarChris The Story Reading Ape's Blog

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“But…but…but…THAT”S not YOUR name as the Author!” I hear you declare indignantly…

That’s TRUE – I’M not the AUTHOR, my Mother is, but unfortunately she is not alive to publish it herself, (she died in 2000), so I’ve published it in her name.

Today would have been Mum’s 90th birthday if she’d still been alive, so my sister and I felt that this book would be a nice way to celebrate Mum’s life and memory.

What’s it about?

As stated in the book description:

We all have dreams, loves and hopes; but what if you are a girl growing up in 20th century Northern Ireland before, during and after the ‘Troubles’?
From the poetic thoughts of our Mother, we get a sense of what it was like, ranging from humour, sadness, wistful thinking and sometimes just downright nonsensical, these are the words of one such girl.

Each poem tells a story.

My sister…

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