This is one of the best compendia of guidelines for troubleshooting a novel-in-progress that I’ve recently come across. My own constant struggle is the interior monologue, wherein my character thinks through her motives. Some of this is necessary, but in my current very rough draft I’m noting again and again, “Too long! Cut!” Fortunately, I have an excellent writing group that will call me out on this sin.
I’m working on a post about what has stopped me from finishing some of the books I’ve been reading in my quest to understand the indie landscape. Hamilton’s list captures many of the problems that I’ve encountered (and fight like crazy not to commit): 1) Lack of a story arc–in a couple of cases, everything seemed to be resolved mid-novel; why keep reading? 2) Detail-heavy, clunky prose I had to wade through. 3) Pages and pages of setting and character-building before anything happens. I love the comment that we all should wish to see ourselves as others see us! Hooray for honest readers. May they long thrive!
by Anne R. Allen
Beginning novelists are like Tolstoy’s happy families. They tend to be remarkably alike. Certain mistakes are common to almost all beginners. These things aren’t necessarily wrong, but they are difficult to do well—and get in the way of smooth storytelling
They also make it easy for professionals—and a lot of readers—to spot the unseasoned newbie.
When I worked as an editor, I ran into the same problems in nearly every new novelist’s work—the very things I did when I was starting out.
I think some of the patterns come from imitating the classics. In the days of Dickens and Tolstoy, novels were written to be savored on long winter nights or languid summer days when there was a lot of time to be filled. Detailed descriptions took readers out of their mundane lives…
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