Over at Writers in the Storm, an extremely useful writers’ site, Ellen Buikema touches on a topic I’ve seldom seen addressed in the many blogs I follow: how writers can use “white space” to make pages more inviting to readers. These pointers apply both to fiction and non-fiction (though, of course, there’s that anomaly, the academic article, with which I am very familiar and which I personally enjoyed practicing and responding to).
Maybe you need some white space now? Okay.
Paragraphing decisions and, as a comment mentioned, dialogue contribute to white space. I do notice, though, that too much white space can create a page that feels jumpy and encourages skimming rather than reading for nuance. I say this because I’ve just finished a book in which almost all the paragraphs were one or two lines with runs of short dialogue between. So I like Buikema’s response urging “balance in all things.”
I find that I like books at both ends of that balance. Sarah Waters’ novels ask me to find my way through rich, dense detail, while many of my favorite mysteries, especially noir, choose the terse, keep-moving option.
What are your favorite examples of these choices?