Everyone should read this! I’ve learned from attending conferences that agents and editors read differently from writing-group colleagues. Until you’re critiqued by an actual agent, you can’t know what works for them in your opening pages. You won’t get that feedback from cold querying, but conferences provide opportunities to learn firsthand how what you’ve written is received.
DeFreitas provides a link as well to a good series on first novel pages. Dig in!
on Jane Friedman site:
The pros and cons of an MFA (Master of Fine Arts) in creative writing are widely debated: on one hand, such programs offer students the opportunity to work with accomplished authors, whose expertise (and endorsements) could make all the difference in publishing their first book. On the other hand, such programs often come with a hefty price tag, with fully funded options few and far between.
But regardless of whether you go for an MFA, some things are critical to establishing a career as an author that you probably don’t know, unless you’ve learned them the hard way (or you’ve worked in publishing).
I say this as someone who went for an MFA and then went on to establish a career as both an author and an editor. And this is information I want to circulate widely—first, because I know how hard it is to have…
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