Tag Archives: agents

Brave souls

So J and L had a 700-page manuscript to deal with.

Admittedly their investment was small–from the writer’s point of view, anyway. They had to pay whatever it cost them (before email and Facebook) to get it to publishers. They had to “talk it up” at lunches in New York, but I assume that my book was one of many they pitched. I guess they spent some time on the phone, but not, I also assume, long distance. They had to read it, of course, in order to decide they wanted to invest even this much. So these were their losses if the book did not sell.

Mine? I didn’t figure those. As far as I was concerned, I was going to write it anyway, whether it ever sold or not. I suppose I should have calculated opportunity costs. Could I have become a millionaire if I had invested all those hours in learning to beat the stock market or in becoming much sooner what I eventually became, a university professor? (Of course I would have been a biologist if I had planned better, not a writing teacher. Moms, don’t let your babies teach writing. . . .) But all I wanted to do was ride horses and write. Two guaranteed ways not to make money. But I have never regretted writing that book. Or riding horses. But that’s another story.

J and L said, we don’t like to edit. We don’t want to impose our views on what the editor will want, when you get one. At the time, that seemed smart. For that book, it probably was. But later, I wished I could have relied on them more as strong, knowledgeable readers. I have come to see readers willing to plow through and respond to drafts as essential to any writer’s attempts to find a market. Now I am hungry for the simplest chance to talk to someone about my work.

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Filed under Finding literary agents for writers, looking for literary editors and publishers

Being Trolled

Why agents go to conferences is not a mystery. They think, perhaps with good reason, they’re going to discover the next John Grisham, a prolific but hitherto undiscovered writer who has struck a vein without noticing that what is flowing out is lifeblood. I wonder, if one could ever know, what the stats are. How many eventual bestselling authors are discovered at conferences versus those who are “discovered” through steadfast efforts at publication in small magazines or through driven submissions to slush piles? No one seems to calculate such odds.

I do think that one stands a better chance of being “discovered” by new, hungry agents who hope to find and promote the next John Grisham than by those who already have quasi-John-Grishams in their “stables” (sorry to offend any agents happening by with my barnyard metaphor). That is what happened to me. J and L had both been editors at major publishing houses. They had decided their future lay in agenting rather than editing, and from the little I really know of what editors even at major houses get paid and what they go through, I suspect they were right. So they came to the conference I had recently begun attending, and there they “discovered” me and my seven-hundred-page manuscript.

L told me later, “When I saw you, I thought, ‘This girl has something to do with horses.'” I do not reveal this as a very good strategem to getting published: looking like you have something to do with horses. Or maybe it is. I have lost the ability to tell what might be the deciding factor. Oddly, I remember the dress I was wearing. It was powder blue and flowing, a bit longer than the dresses and “hot pants” I wore a decade earlier when I was writing the novel. I was a blonde then. I looked like I had something to do with horses.  This sold. They asked me to send them the ms.

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Filed under Finding literary agents for writers, Writers' conferences

I conference

A lot of the chronology has blurred. This was all so long ago that “far, far away” refers to next door in comparison.

But.

I did undergraduate work at a Florida university. Because all I wanted to do in life at that point was ride horses, I didn’t finish: stopped 31 hours short of an English degree. But I had contacts there, whom I bugged with my deathless prose. The first professor I asked to read my opus was gentle and generous but not much help. I don’t recall what he said about my book. I do recall he had kept a test of mine on the metaphysical poets. “You’re the girl who writes really, really small.” (I may be allowed to brag that he’d kept the test because my answers were really, really good, not because he liked small handwriting. I have always been a good taker of every kind of test.)

I knew of, but had not taken courses from, a genial older professor who ran a yearly writers’ conference. I begged him to read one of my best chapters. He told me, “If the rest of it is as exciting as this, I don’t see why you can’t get published.”

Of course, the whole point is you can’t tell whether it’s all that exciting. Only readers can tell you that.

Anyway, it must have been that very spring I went to his conference. It was one of those that early on saw the benefit to inviting actual agents and actual editors to come and troll for new authors.

I have these things to say about my eligibility for getting trolled for: I was young. I was pretty. I had what might be called a “fresh innocence.” I smelled like the outdoors. I had a complete manuscript about the Kentucky Derby. I was trollable.

I was trolled.

 

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Filed under Finding literary agents for writers, Writers' conferences

How to Write a Failed Novel: Part 1

For those who can’t live without this information.

So what do I mean by “a failed novel”?

I mean a novel that sounded exciting when you wrote the first pages. A novel that still sounded exciting deep into the bliss of writing. A novel you had no trouble dashing through, day after day. A novel that made you love words and what you could make them do.

. . . . And a novel that, when you read the galley proofs, turned out to be terrible. Even you knew it was terrible. And you didn’t know what to do.

They’d already paid you the money. You’d already paid a year’s estimated taxes. You’d spent what was left so you could keep on writing. You couldn’t pay it back.

And you couldn’t pay what it would have taken to fix it. Even to fix what you knew how to fix.

And you couldn’t talk to your editor. You’d already found that out the hard way.

So how did this come about?

Well, for one thing, it happened because I didn’t know that a lot of what I thought I knew about writing for publication was myth. Wrong. And because I didn’t know important things about myself.

Maybe these things aren’t myths to you. Maybe they’re truths. If so, let me know. Continue reading

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Filed under Myths and Truths for writers